Last week there was a front page article in the Sun Sentinel about the Palm Beach County Library System: Palm Beach County libraries face skyrocketing costs to overhaul facilities.

The article was basically chastising the library for failing to build new libraries in a more timely manner and for the skyrocketing prices that have completely blown the budget. Buried in the middle of the article was a brief allusion to the hurricanes that have decimated the building industry.

There was also a couple of quotes from two of the county commissioners, one of whom felt the county needed to suck it up and somehow find the money to finish building the libraries. But the other commissioner intimated that libraries were for old people and that everyone else has Internet, so why do we need more and better libraries.

As a lifelong library lover, I took great exception to her remarks. I waited several days to respond as I needed time to avoid just responding in anger. I wrote a letter to the editor of the Sun Sentinel and they wrote back and asked me to condense. I did the best I could in the very limited space I was allotted, and they trimmed a bit more. Here is the end result:

County's libraries a priceless resource for the asking

Malcolm Forbes once said, "The richest person in the world -- in fact all the riches in the world -- couldn't provide you with anything like the endless, incredible loot available at your local library." What this article failed to mention was all the great loot that is available for Palm Beach County residents at their library. And it is appalling that a county commissioner could be so unaware of all that the library offers the community.

Libraries are not the refuge of the homeless and aged, but are vibrant, bustling community centers, offering services that many people simply aren't aware of: wireless access, computer classes, kids' storytimes, book discussion groups and one-on-one tutoring for adults who don't know how to read. All for free.

The Internet is a mess. Anyone can post anything they want, and they do so regularly. But there are hundreds of databases that have the most accurate, up-to-date information that you simply cannot access for free on the Internet -- databases like Ancestry.com, The Wall Street Journal, The New York Times archives, Consumer Reports, and practice exams for standardized tests like the Florida Comprehensive Assessment Test and the Scholastic Achievement Test, all of which can be accessed by library card holders. For free.

Yes, there have been budget issues and building issues, but there has also been a huge real estate boom with skyrocketing prices and a scarcity of building supplies. The boom has busted, but prices haven't come down, at least not yet. You cannot fault the county for [hurricanes] Jeanne, Frances and Wilma and the aftermath of those storms. But you can continue to support your local library, and I hope County Commissioner Mary McCarty rethinks her comments and tries to help the county deal with the money crunch in a more productive way.

Jailed Cuban Journalist to Receive PEN/Barbara Goldsmith Freedom to Write Award

New York, NY, April 10, 2007—PEN American Center today named Normando Hernández González, a Cuban writer and journalist who was arrested along with 74 other journalists and democracy and human rights activists in a March 2003 crackdown, as recipient of its 2007 PEN/Barbara Goldsmith Freedom to Write Award.

The award, which honors international literary figures who have been persecuted or imprisoned for exercising or defending the right to freedom of expression, will be presented at PEN’s Annual Gala on April 30, 2007 at the American Museum of Natural History in New York City.

Distinguished writer, historian, and PEN Trustee Barbara Goldsmith underwrites the award. Candidates are nominated by International PEN and any of its 141 constituent PEN Centers around the world and screened by PEN American Center and an Advisory Board comprising some of the most distinguished experts in the field.

The Advisory Board for the PEN/Barbara Goldsmith Freedom to Write Awards includes Carroll Bogert, Associate Director of Human Rights Watch; Vartan Gregorian, President of the Carnegie Corporation; Joanne Leedom-Ackerman, International Secretary of International PEN; Aryeh Neier, President of the Open Society Institute; and Joel Simon, Executive Director of the Committee to Protect Journalists.

Normando Hernández González is a writer and independent journalist. He is the director of Camagüey College of Independent Journalists, a group of journalists who seek to serve as an alternative to the State-owned press in and around Camagüey.

On March 18, 2003, Hernández was arrested along with 74 other journalists and activists considered to be dissidents by the Cuban government. The youngest of those arrested in this notorious crackdown, Hernández, now 38, was sentenced to 25 years’ imprisonment under Article 91 of the Cuban Criminal Code for reporting on the conditions of state-run services in Cuba and for criticizing the government’s management of issues such as tourism, agriculture, fishing, and cultural affairs.

For several months following his imprisonment, Hernández was kept in solitary confinement and allowed only four hours of sunlight a week, no access to television or radio, and extremely restricted communication with his family. In August, after engaging in a hunger strike with seven other inmates in protest of the deplorable prison conditions, Hernández was transferred to Kilo 5½ prison in Pinar del Río, over 400 miles from his home and family.

In Pinar del Río, Hernández was denied access to the outside world in any form, and forced to share a small, filthy cell with insects, rodents, and prisoners considered dangerous or mentally unstable. He was badly beaten by the Prison Chief of Security and contracted tuberculosis before being moved to Kilo 7 prison in Camagüey.

Hernández suffers from tuberculosis and a chronic gastro-intestinal disorder, which have caused him to lose at least 35 pounds. In December 2006, he was rushed in critical condition to the Amalia Simoni Provincial Hospital in Camagüey after suffering from fainting spells. During his hospital stay, he was kept in a room without a bed, table or chair for an entire week.
On December 27, State Security soldiers removed Hernández from the hospital and took him back to prison. Doctors claimed that the hospital was lacking in the resources needed to treat Hernández’s condition.

In announcing the award today in New York, Freedom to Write Program Director Larry Siems praised Hernández’s exceptional courage and integrity. “When the March 2003 crackdown began, Normando Hernández González eluded arrest for 24 hours so he could celebrate his daughter’s first birthday, and then he turned himself in.

"Since then, he has endured abusive treatment in prison conditions that clearly violate international norms, to the extreme detriment of his health—the youngest of the 75 detained in the crackdown, he is in danger of dying from the conditions of his detention.

"Yet he has refused to renounce his commitment to expand freedom of expression and essential rights in Cuba, publishing critical and personal essays and protesting the treatment of other prisoners. Hernández embodies PEN’s highest ideals, and we are proud to honor him as this year’s recipient of the PEN/Barbara Goldsmith Freedom to Write Award.”

Noting that 59 of the 75 journalists and activists arrested in March 2003 remain in prison, Siems appealed to organizations around the world to join in pressing the Cuban government to release Hernández immediately and move quickly to release all who have been jailed in Cuba in violation of their universally guaranteed rights to freedom of assembly and freedom of expression.

“Over the last four years, international pressure led to the release of Raúl Rivero, Marta Beatriz Roque, Manuel Vázquez Portal, and 13 more of the most prominent detainees. But 16 out of 75 is not a victory. Behind those released are dozens more who are serving unjust sentence in unconscionable conditions. They, too, must be freed.”

This is the 21st year that the PEN/Barbara Goldsmith Freedom to Write Awards have honored international literary figures who have been persecuted or imprisoned for exercising or defending the right to freedom of expression. The awards are an extension of PEN’s year-round advocacy on behalf of the more than 1,020 writers and journalists who are currently threatened or in prison.

Forty-two women and men have received the award since 1987; 30 of the 32 honorees who were in prison at the time they were honored were subsequently released.

Operation Scribe

Having wrested readers away from mysteries, thriller writers band together to hunt down some literary cachet.
By Kathleen Sharp
Special to The Times
April 8, 2007

As a glance at any bestseller list will attest, thrillers have become America's favorite reads, edging aside their venerable cousins, mystery books. The difference between the genres is not just elementary: One consists of brain-teasers in which readers try to figure out who killed the girl next door. The other is a heart-racer that we finish to learn whether the girl's leader will be blown up. The essence of the distinction sometimes boils down to dramatic props: arsenic or anthrax, detective or conspirator, bloody corpse or bloody ticking clock?

But if thrillers have won over audiences, the big riddle consuming their writers these days is why America's top critics routinely dismiss suspense books, calling them beach reads or brain candy or, worse, ignoring them completely.

And so, tired of the snubs and determined to get the respect they feel they deserve, thriller authors have formed their own breakaway group: the International Thriller Writers (ITW), a challenge to the older and better-known Mystery Writers of America (MWA), known for its prestigious Edgar Allan Poe Awards.

Infused with its mission, ITW arrived in Los Angeles on a recent Saturday to launch its "Brunch & Bullets" luncheon series, which drew about 100 Southern California thriller fans who paid $150 each to chat with bestselling ITW authors. (Disclosure: Last year I edited the group's newsletter.) It was an auspicious setting: the Renaissance Hotel at Hollywood & Highland, around the corner from the site of the Oscars ceremony at the Kodak Theatre and, as it turned out, in the middle of a large antiwar demonstration. Several authors had flown in from the East Coast, but all appeared to be in their element, sandwiched between the twin cultural exports of entertainment and armed conflict — the basic ingredients of a thriller, by the way.

A new generation of thrillers

On the hotel's second floor, attendees walked past balconies overlooking crowds of policemen in riot gear. The scene, replete with potted palms and bullhorns, could have been ripped from an espionage classic by Graham Greene or John le Carré, except this was a new world order and another generation of writers was chomping at the bit to break from the narrowly defined course of Cold War spy novels.

"In this room today are authors who've written 100 New York Times bestsellers and have sold 200 million books," said author Jon Land, who introduced ITW's headliners.

Romantic suspense maven Sandra Brown discussed her book "Ricochet," which received a starred review from Publishers Weekly. Suffice it to say Brown has never been profiled in the New Yorker, although she's written 65 novels that have sold 70 million copies worldwide. Paranormal thriller author Heather Graham described "The Dead Room," her latest in a string of 100 books, including several New York Times bestsellers. Military thriller author Gregg Hurwitz, legal thriller bestseller John Lescroart and financial thriller writer Christopher Reich bantered at the bar, a sign of just how expansive the genre has become in the last decade.

ITW used its L.A. event to announce those books nominated for its new Thriller Awards, whose winners will be revealed at its conference this summer, two months after the Edgars. "It's a healthy rivalry," said Reed Farrell Coleman, former executive vice president of MWA. "But they've motivated us to take some steps we needed to take."

When ITW first organized 2 1/2 years ago, many longtime MWA members began to openly question their membership. "We were the big boys on the block, and we'd grown complacent," said Coleman. The 62-year-old Edgars had become a premier literary award, but thrillers were often passed over. Yet, during the early 2000s, annual sales of thrillers were jumping as high as 34%, and in 2002, the British Crime Writers Assn. inaugurated its Steel Dagger Award for best espionage book. Still, major U.S. critics continued to write about the death of the spy genre so often its cadaver could have collected royalties.

It was at a Bouchercon Mystery Convention in October 2004 that Gayle Lynds and David Morrell discreetly asked some thriller writers to meet hours before that group's awards banquet. The covert meeting snowballed into history after all 35 authors voted to join the mild insurrection and form ITW.

It helped that the revolt was led by two name writers. Short and avuncular, Morrell wrote what's been called the "father of all modern action novels," "First Blood," which became the 1982 movie that introduced the John Rambo character. An English professor at the University of Iowa, he continued writing books, including "The Brotherhood of the Rose," which became an NBC miniseries in 1989. His 28 books have been translated into 26 languages, and his newest, "Scavenger," received a starred notice in Booklist.

Lynds has been called a master of the modern espionage novel, known for her female protagonists. The tall brunet once worked at a California think tank, where she had access to top-secret government files. After turning to fiction, she worked with Robert Ludlum to create the Covert-ONE spy series, writing three of those books, including "The Hades Factor," which became a CBS TV miniseries in 2006.

She's now the bestselling author of eight books, including "The Last Spymaster," which follows a spy-turned traitor who breaks out of prison and is hunted by a troubled female CIA agent. Publishers Weekly listed the work among the all-time top 10 thrillers, along with classics by Greene and Le Carré.

In no time, ITW attracted other authors, including Douglas Preston, Katherine Neville, Lincoln Child and M.J. Rose. A board was assembled with Lee Child, Tess Gerritsen and others. Today, ITW boasts 540 authors and 9,000 or so newsletter subscribers — while MWA has 1,800 authors and 1,200 newsletter subscribers.

Struggle for publicity

Underlying this friendly fire is that all authors must fight to get noticed into today's mercenary marketplace, Coleman explained. "Publishers are spending less money to promote their authors, and writers' organizations like ours are picking up the slack."

MWA has long promoted its member authors by publishing anthologies of short stories. ITW borrowed that idea by compiling the first anthology of thriller stories, edited by ITW member James Patterson. The book was acquired by Mira Publishing and received attention outside of New York, but Janet Maslin gave it a withering review in the New York Times. "Thriller" went on to sell 130,000 copies and has earned ITW about $400,000, making it one of the top-selling anthologies ever. Who knew?

To lure more fans inside its tent, ITW hosted its first ThrillerFest convention last summer, in Phoenix, where a Filipino knife master and a Delta Force trainer taught shut-in writer types how to create lifelike assassins. Best of all, ITW finally hosted its own awards banquet that weekend, honoring debut authors, midlist talent and hoary masters such as the renowned Clive Cussler.

Now, the group is homing in on young public-school readers. A quarter of the proceeds from the Saturday event went to the L.A. Unified School District chapter of the Reading Is Fundamental literacy program, along with boxes of thrillers. "Anything that gets kids excited about reading is great," said Marilyn Fils, an assistant principal at Bertrand Avenue Elementary. Thrillers allow students to explore not just U.S. society but other geopolitical realms as well, Morrell explained.

To further expand its house of spies, ITW also welcomes other legitimately published writers, including MWA members such as Coleman. But MWA has become more vigilant, hiring its first public relations firm, actively promoting next month's Edgar awards, and expanding its own youth literacy programs. All of this activity brings to mind a race in which two camps hurtle toward the same objective in heroic ways — yet another definition of a thriller.

But the mystery remains. Will the illustrious MWA lose its crown to ITW? Will the literary establishment ever give thrillers their due? At part of its not-so-secret "special" operations, ITW is infiltrating that elite force in July by bringing its trench-coated conventioneers to Manhattan. "We want to be in the heart of the publishing industry, where agents, editors and reviewers can join our new community," explained Lynds.

"And don't forget the fans," added Morrell. "We love them!"

PAPERBACKSWAP BOOK CLUB REACHES ONE MILLION BOOKS

PaperBackSwap.com, the nation's largest book club, has passed a major milestone for book lovers everywhere, making over one million books available for free trading.

Co-founders Richard Pickering and Robert Swarthout developed the online book club to allow readers from across the United States to trade books for free. In less than 24 months, the PaperBackSwap.com online phenomenon has peaked the interest of thousands of book fans across the United States. The excitement has continued to grow as the club surpassed one million books available.

"We see our members trade about 35,000 books a week," says Co-Founder and avid reader Richard Pickering. "With this explosion of interest in trading books, our members can select from any genre to satisfy their literary desires."

The club operates on a simple premise: a club member selects a book they want and the system sends an email to the member that has the book. That member then mails the book to the requestor and a credit is exchanged for a future book.

To mail the book, the sender easily prints two pieces of paper from his or her printer and then wraps them around the book, attaches postage (usually $1.59) and pops it in the mail. No post office visit is required.

When the sending member wants to order a book, another member returns the favor and mails them a book free of charge. This credit-for-book trade system also applies to their sister music site, http://www.swapacd.com/.

Matthew and Mary Stinnette of Chesapeake, VA have been active members of PaperBackSwap.com for one year and were just recently declared the official winners of the club's "1,000,000 Books Contest" by selecting the exact date and time that the one millionth book would be posted.

"My family lives and breathes on PaperBackSwap.com!" says Matthew Stinnette. "There isn't any other site as awesome as this one, and we, especially my wife and teenage daughter, visit it nearly every day. I have had a household of happy readers since we joined the club, thanks a million to PaperBackSwap."

"The best part about our club is our members," says Swarthout. "What started as a trading system has turned into a social community of readers that share so much more than books. Our members transcend miles and become best friends through club communications, discussion forums and coffee-time chat rooms."

For more information, visit http://www.paperbackswap.com

Pat Conroy to publish 1st book since '95
Sat Apr 7, 5:31 PM ET

"The Prince of Tides" author Pat Conroy says he's finishing his first novel in more than a decade, and it will mark a return to the same dysfunctional characters he's known for.
Conroy's last book was a cookbook published in 2004.

"I loved writing that book. ... Now, of course, everybody in this new book is dying and driving themselves off cliffs," he told the Atlanta Journal-Constitution. "So I'm back to normal."

The new novel is set in Charleston and is already nearly 700 pages, Conroy said. "It drives me nuts. But long-windedness ... there's nothing you can do about it. I wanted to write a 250-page novel, but I realize I can't even write a prologue that's 250 pages."

Conroy, 62, said his wife Cassandra King, author of "Queen of Broken Hearts," is a much happier writer.

"I'll hear her cackle with laughter at some funny line she's written," he said. "I've never cackled with laughter at a single line I've ever written. None of it has given me pleasure. She writes with pleasure and joy, and I sit there in gloom and darkness."

Conroy has not published a novel since 1995's "Beach Music." He spoke to the newspaper to promote a fund-raising appearance he's making for a library foundation.

Iowa Library’s Cat Has a Rich Second Life as a Biography
By MOTOKO RICH

Watch out, Marley.

In a hotly contested deal, the life story of Dewey, a rescued cat who lived for 19 years in a library in a small town in Iowa, has sold for about $1.25 million to Grand Central Publishing.
With an eye toward creating the feline answer to the best-selling “Marley & Me,” John Grogan’s memoir of his misbehaving yellow Labrador retriever, Grand Central bought the book, currently titled “Dewey, a Small Town, a Library and the World’s Most Beloved Cat,” on Monday by making an offer high enough to pre-emptively shut down an auction.

“You can’t underestimate the market out there for people who love animals,” said Karen Kosztolnyik, the senior editor at Grand Central who will edit the book; co-authors will be Vicki Myron, the head librarian in Spencer, Iowa; and Bret Witter, a former editorial director at Health Communications, the publisher of the “Chicken Soup for the Soul” books.

“You look at ‘Marley & Me,’ and that book has been a publishing phenomenon,” Ms. Kosztolnyik said. “I think there are equally as many cat lovers out there. We see this as having that kind of potential.”

The authors’ advance raised some eyebrows in the publishing industry, given that “Marley & Me” reportedly sold to William Morrow less than three years ago for an advance of about $200,000. To date it has sold 1.85 million copies in hardcover, according to Nielsen Bookscan, which tracks book sales in most bookstores and online retailers, although not mass-market outlets like Wal-Mart.

“It’s stunning, the advances being paid,” said Robert S. Miller, president of Hyperion, a publisher that looked at the “Dewey” proposal but declined to bid. “If it might be the next ‘Da Vinci Code’ or the next ‘Marley & Me,’ the ante just increases,” Mr. Miller said. “The problem is that even as the biggest best sellers sell more copies, there are fewer of them, so the publishers paying these advances do so at increasing risk.”

According to publishing executives, “Dewey” will need to sell at least 250,000 copies in hardcover to cover the cost of the advance. Sales to foreign publishers or paperback sales could offset some of that cost.

“Dewey,” which was sold on the basis of a 45-page proposal with about 10 photos of the fluffy orange cat, will tell the story of how the kitten was found in the late-night book drop of the public library in Spencer, a town in the northwest part of the state, and adopted by Ms. Myron and the other librarians. Slowly, over the course of his 19-year life, Dewey became a town mascot who lifted the spirits of residents hit hard by the 1980s farming crisis. In the process he attracted the attention of tourists, cat-calendar makers and filmmakers. He appeared in “Puss in Books: Adventures of the Library Cat,” a 1997 documentary, and another film made by Japanese documentarians. When he died last November, his obituary ran in more than 250 publications, including USA Today and The Washington Post.

READ THIS ARTICLE IN ITS ENTIRETY

Philip Roth wins 1st ever Bellow prize
By HILLEL ITALIE, AP National Writer
Sun Apr 1, 5:02 PM ET

Literary awards are old news for Philip Roth, but his latest honor is truly special: The first ever PEN/Saul Bellow Award for Achievement in American Fiction, a $40,000 prize named for the late Nobel laureate and one of Roth's closest friends and literary heroes.

"To my mind, Saul Bellow and William Faulkner form the backbone of 20th-century American literature," Roth said in a statement given to The Associated Press.

"The initial selection of Philip Roth sets a very high standard and bodes well for the establishment of this prize as one of the pre-eminent awards of American literature," historian and recent PEN American president Ron Chernow said in a statement issued by the U.S. center for the international writers organization.

The Bellow prize, to be officially announced Monday, was conceived during Chernow's time as PEN president, a one-year term that ended in March. He declined to seek re-election, citing personal reasons, and has been succeeded by author Francine Prose.

The 74-year-old Roth, known for such novels as "Portnoy's Complaint" and "American Pastoral," has won the Pulitzer Prize, National Book Award and the National Book Critics Circle prize. He recently became the first three-time winner of the PEN/Faulkner prize, chosen for "Everyman," a novel about illness and mortality inspired in part by the death of Bellow, in April 2005.

Read this article in its entirety: Philip Roth wins 1st ever Bellow prize - Yahoo! News

Oprah has just announced her second book club selection of 2007: The Road by Cormac McCarthy

Coming soon ... OBSESSION

Spring is in the air and two new books are hitting the shelves.

Today is the release of the new Jonathan Kellerman book, OBSESSION.

April 10 is the release of the new Karen Robards book, OBSESSION.

'Nuff said.

'NY Times' Regrets Publishing Book Essay
By E&P Staff
Published: March 24, 2007 12:05 PM ET

NEW YORK
In an editors' note in tomorrow's edition of The New York Times Book Review, the paper states that it regrets publishing a recent essay with certain resemblances to passages in someone else's essay -- particularly one involving a chambermaid.

The essay in question appeared in the Book Review on March 4, called "Confessions of a Book Abuser," by Ben Schott, who has contributed other pieces to the paper. The Times said that readers had pointed out "a number of resemblances" between it and "Never Do That to a Book," an essay on the same subject by Anne Fadiman that appeared in her 1998 book "Ex Libris: Confessions of a Common Reader."

Schott denies reading the earlier essay before he wrote his piece.Among the resemblances: "references to a system of dog-earing pages either at the top or at the bottom depending on referential purpose and to travelers who rip previously read sections from paperbacks and discard them before boarding an airplane."

But the most "striking resemblance" occurs in the opening lines of each essay, the editors' note revealed. Here is how it describes the problem.

*Schott's begins: "I have to admit I was flattered when, returning to my hotel room on the shores of Lake Como, a beautiful Italian chambermaid took my hand. . . . Escorting me to the edge of the crisply made bed, the chambermaid pointed to a book on my bedside table. 'Does this belong to you?' she asked. I looked down to see a dog-eared copy of Evelyn Waugh's 'Vile Bodies' open spread-eagle, its cracked spine facing out. 'Yes,' I replied. 'Sir, that is no way to treat a book!' she declared, stalking out of the room."

Fadiman's essay begins: "When I was 11 and my brother was 13, our parents took us to Europe. At the Hôtel d'Angleterre in Copenhagen, as he had done virtually every night of his literate life, Kim left a book facedown on the bedside table. The next afternoon, he returned to find the book closed, a piece of paper inserted to mark the page, and the following note, signed by the chambermaid, resting on its cover:"Sir, you must never do that to a book."

Questioned about the similarities, Schott, who has recently been contributing freelance work to The Times, said that he had never read Fadiman's essay before it was brought to his attention, also by a reader of the Book Review, and suggested that the thematic resemblances were a coincidental result of the narrowness of the topic. He maintains that the encounter with the Italian chambermaid took place as he described it, in 1989, when he was 15.

Had editors been aware of Fadiman's essay, the Book Review would not have published Schott's.

'NY Times' Regrets Publishing Book Essay

Laura Lippman

Every writer wants to think that they've improved with each book, yet we all know that so many don't. I've been reading Lippman for a number of years and while I liked her early books, I didn't drop everything to read them. When she branched out away from her series, I found a new Lippman - one that I wanted to drop everything for and read.

It wasn't that I didn't like her Tess Monaghan series, because I did, but the fact is that each book was getting better than the one that preceded it. And that included her series, and the most recent Monaghan book, No Good Deeds, (just out in paperback) was excellent.

Her latest book is a thriller that has been earning accolades everywhere, from the Washington Post to a starred review from Publisher's Weekly. The latest achievement of this author who has won numerous awards from the Edgar to the Shamus and many others? I am happy to report that What the Dead Know will debut on the New York Times Bestseller List tomorrow in a starred 11th spot, which means it's tied with the 10th place book by Mitch Albom. Congratulations, Laura. I am so thrilled for you! Read all about Laura's reaction here:

http://www.journalscape.com/LauraLippman/2007-03-21-17:33

IMMIGRATION, THE ENVIRONMENT, WAR AND PEACE: THIRD PEN FESTIVAL GATHERS WORLD WRITERS TO EXPLORE CHANGING MEANINGS OF "HOME"
162 Writers From 45 Countries Gather in New York City April 24-29

New York City (March 21, 2007)-

PEN American Center today announced the theme-"Home and Away"-and program for its third annual PEN World Voices: The New York Festival of International Literature, which will draw together 162 writers and cultural critics from 45 countries for 67 panels, lectures, tributes, readings, one-on-one conversations, and musical performances. America's only festival of international authors, World Voices will occur April 24-29 in various locations around New York City, including festival venues such as the Bowery Ballroom and the Morgan Library. Israeli writer David Grossman will deliver the Arthur Miller Freedom to Write Lecture on the Festival's closing night, and other participants include Salman Rushdie, Nobel Laureate Nadine Gordimer, Dave Eggers, Patricia Melo, Starbucks selection author Ishmeal Beah, novelist and screenwriter (Babel) Guillermo Arriaga, Booker Prize-winner Kiran Desai, Neil Gaiman, Yasmina Khadra, Saadi Youssef, Pulitzer Prize-winner Marilynne Robinson, Ma Jian, Tatyana Tolstaya, Sam Shepard, and writer/musician and downtown artist Patti Smith.

The Festival's theme of "Home and Away" explores the insights literature and writers bring to bear on critical topics in today's world: local versus larger attachments in a globalizing world, the conflicting claims of tribe, religion and nation, and the ultimate issue of planetary survival. "In the United States the charged question of who can call America home has ignited a national debate on immigration," said newly appointed Festival Director Caro Llewellyn, who comes to PEN from the acclaimed Sydney Writers' Festival. "We wanted to open up the discussion to include broader questions about what makes a home, and how we define ourselves in relation to it. The Festival affirms PEN's conviction that writers have an essential contribution to make to the resolution of such issues and that our national conversation can and must be enriched by a more diverse and international range of voices."

Taking "home" in its broadest possible sense, the Festival opens with a major event at Cooper Union's Great Hall bringing the writer's distinctive focus to the crisis facing the planet itself. Destruction of the Earth's natural systems touches each of us across boundaries of nationality, economics, religion, ethnicity, and language. On the evening of Tuesday, April 24, Homero Aridjis, Billy Collins, Jonathan Franzen, Moses Isegawa, Pico Iyer, Laura Restrepo, Marilynne Robinson, Roxana Robinson, Salman Rushdie, and Colson Whitehead will each read impassioned and illuminating pieces on the subject of the natural world.

Programs around the city will consider the theme of "Home and Away" from a variety of perspectives. The Festival also features several large-scale ensemble events, comprising writers from a number of nations and backgrounds. Among this year's highlights:

" "Town Hall Readings: Writing Home," where Don DeLillo, Nobel Prize-winner Nadine Gordimer, Steve Martin, and Salman Rushdie join other U.S. and international voices to explore the idea of home (Wednesday, April 25)

" "An Evening with The Moth," where one of the city's hippest literary series takes on the festival theme through storytelling by authors such as Neil Gaiman and Pico Iyer, with humorist John Hodgman as the M.C. (Thursday, April 26)

" "A Believer Nighttime Event," featuring a performance by Miranda July and a "Writer Speed Date Session" with four World Voices authors (Saturday, April 28)

" "The PEN Cabaret," bringing together musician and poet Patti Smith, playwright Sam Shepard, poet Saul Williams and other special guests at the Bowery Ballroom (Saturday, April 28)

Numerous one-on-one conversations throughout the Festival week will pair authors in intimate discussion of their craft. Among these programs are Neil Gaiman with Ivory Coast graphic novelist Marguerite Abouet, Norway's award-winning writer Per Petterson and Pulitzer Prize winner Marilynne Robinson, Babel screenwriter Guillermo Arriaga and Paul Auster, Dave Eggers and the subject of his new novel, Valentino Achak Deng, Kiran Desai and Vikram Chandra, and Tatyana Tolstaya and David Remnick. Events on Sunday, April 29, at the New York Public Library include a tribute to the late Polish writer and journalist Ryszard Kapuscinski, a panel about sex and eroticism in today's literature, and an event examining the temptations and responsibilities of travel writing featuring British author/philosopher Alain de Botton.

Among other Festival programs taking place: a series of events for young people, featuring writers with unexpected takes on childhood themes and experiences, such as Ishmael Beah, Neil Gaiman, Uzodinma Iweala, and Markus Zusak; programs on prison writing, including an evening hosted by director and producer Sydney Pollack (Thursday, April 26); a panel examining the cultural forces that have shifted the focus of Latin American writing from Magic to "Gritty Realism" (Friday, April 27); a discussion moderated by Alice Sebold about the rise of Mediterranean noir (Friday, April 27); and several events about what's lost and gained in the translation from literature to both drama and film (and vice versa).

The Festival's closing event on Sunday, April 29-the second annual Arthur Miller Freedom to Write Lecture (last year's speaker was Nobel Prize-winner Orhan Pamuk)-will feature Israeli writer David Grossman. The author of over a dozen widely translated works of fiction, non-fiction, and children's literature and winner of numerous international awards, Grossman has been an active supporter of Israeli-Palestinian peace negotiations and critic of Israeli settlements on the West Bank. Shortly after he joined public calls for a cease-fire in the recent Lebanese war, Grossman's son was killed while serving in the Israeli Defense Forces. Following the lecture, there will be an on-stage conversation between Grossman and Nobel Prize-winning South African author Nadine Gordimer.

"We asked David Grossman to deliver this year's lecture because he exemplifies Arthur Miller's belief in the unique power of literature to enable the moral imagination," said Festival Chair Salman Rushdie. "Both in his work-and by his personal example-he has insisted upon the responsibility of the writer to assist his community in reaching for a broad, humane and compassionate conception of citizenship. We are honored that Mr. Grossman will share his insights with us this year."

Beginning March 26, the full program for the PEN World Voices Festival, including author participants, event location, ticketing information, and corporate sponsors, can be found at http://www.pen.org/page.php/prmID/1096.

Founded in 1921, PEN is the world's oldest literary and the oldest ongoing human rights organization. Its mission remains the advancement of literature, the defense of free expression, and the promotion of international literary fellowship. PEN American Center was founded in 1922 and is the largest and most active of the 141 chapters constituting International PEN. Its 3,100 distinguished members carry on the achievements in literature and the advancement of human rights of such past members as W. H. Auden, James Baldwin, Willa Cather, Robert Frost, Allen Ginsberg, Langston Hughes, Thomas Mann, Arthur Miller, Marianne Moore, Eugene O'Neill, Susan Sontag, and John Steinbeck. To learn more about the PEN American Center, please visit: www.pen.org

2007 James Beard Foundation Awards
Nominees Announced

Culinary World's Most Prestigious Awards Honor the Art of American Food and 'Rising Star Chefs' at 20th Anniversary Celebration

NEW YORK, March 19 /PRNewswire/ -- The James Beard Foundation has announced nominees and special honorees for the 2007 James Beard Foundation Awards, the nation's top honors for culinary professionals. This year, there are a total of 62 Award categories for restaurants, chefs, broadcasting, print journalism, books, and restaurant design.

Highlights of the announcements, held at a reception at the historic James Beard House in Greenwich Village, included: Barbara Kafka, Lifetime Achievement Award; Art Smith, Humanitarian Award; and Moosewood Cookbook by Mollie Katzen; Cookbook Hall of Fame.

NOMINEES 2007 James Beard Foundation Book Awards
For cookbooks published in 2006
Winners will be announced May 7, 2007

Category: Asian Cooking

Cradle of Flavor
Author: James Oseland Publisher: W.W. Norton; Editor: Maria Guarnaschelli Price: $35.00

Into the Vietnamese Kitchen: Treasured Foodways, Modern Flavors
Author: Andrea Nguyen Publisher: Ten Speed Press Editor: Aaron Wehner Price: $35.00

The Sushi Experience
Author: Hiroko Shimbo Publisher: Alfred A. Knopf Editor: Judith Jones Price: $40.00

Category: Baking and Dessert

Baking: From My Home to Yours
Author: Dorie Greenspan Publisher: Houghton Mifflin Company Editor: Rux Martin Price: $40.00

Heirloom Baking with the Brass Sisters
Authors: Marilynn Brass and Sheila Brass Publisher: Black Dog & Leventhal Publishers Editors: Judy Pray Price: $29.95

King Arthur Flour Whole Grain Baking
Authors: The Bakers at King Arthur Flour Publisher: The Countryman Press Editors: Kermit Hummel Price: $35.00

Category: Cooking from a Professional Point of View

Alain Ducasse’s Desserts and Pastries
Author: Frederic Robert Publisher: Les Editions D’Alain Ducasse Editor: Stephanie Ruyer Price: $195.00

Happy in the Kitchen
Authors: Michel Richard with Susie Heller and Peter Kaminsky Publisher: Artisan
Editor: Ann Bramson Price: $45.00

The Professional Chef, 8th Edition
Author: The Culinary Institute of America Publisher: John Wiley & Sons Editors: Pam Chirls Price: $70.00

Category: Entertaining

The Big Book of Appetizers
Authors: Meredith Deeds and Carla Snyder Publisher: Chronicle Books Editor: Bill LeBlond
Price: $19.95

The Big Book of Outdoor Cooking and Entertaining
Author: Cheryl Alters Jamison Publisher: HarperCollins Publishers Editor: Harriet Bell Price: $24.95

Opera Lover’s Cookbook
Author: Francine Segan Publisher: Stewart, Tabori & Chang Editor: Leslie Stoker
Price: $35.00

Category: Food of the Americas

Dishes from the Wild Horse Desert: Norteño Cooking of South Texas
Author: Melissa Guerra Publisher: John Wiley & Sons Editor: Anne Ficklen
Price: $29.95

The Lee Bros. Southern Cookbook
Authors: Matt Lee and Ted Lee Publisher: W.W. Norton Editor: Maria Guarnaschelli
Price: $35.00

Kathy Casey’s Northwest Table
Author: Kathy Casey Publisher: Chronicle Books Editor: Bill LeBlond Price: $35.00

Category: General

The Family Kitchen
Author: Debra Ponzek Publisher: Clarkson Potter Editor: Rica Allannic Price: $25.00

The Improvisational Cookbook
Author: Sally Schneider Publisher: HarperCollins Publishers Editor: Harriett Bell Price: $34.95

Tasty: Get Great Food on the Table Everyday
Author: Roy Finamore Publisher: Houghton Mifflin Company Editor: Rux Martin
Price: $30.00

Category: Healthy Focus

The Diabetes Menu Cookbook: Delicious Special-Occasion Recipes for Family and Friends
Authors: Barbara Scott-Goodman and Kalia Doner Publisher: John Wiley & Sons Editor: Justin Schwartz Price: $29.95

EatingWell Serves Two
Author: Jim Romanoff Publisher: The Countryman Press Editor: Kermit Hummel Price: $24.95

Whole Grains Every Day, Every Way
Author: Lorna Sass Publisher: Clarkson Potter Editor: Rica Allannic Price: $44.00

Category: International

Arabesque
Author: Claudia Roden Publisher: Alfred A. Knopf Editor: Judith Jones Price: $35.00

The Soul of a New Cuisine
Author: Marcus Samuelsson Publisher: John Wiley & Sons Editor: Pam Chirls
Price: $40.00

Spice
Author: Ana Sortun Publisher: Regan Books/HarperCollins Publishers Editor: Cassie Jones Price: $34.95

Category: Reference

Culinary Biographies: A Dictionary of the World’s Great Historic Chefs, Cookbook Authors and Collectors, Farmers, Gourmets, Home Economists, Nutritionists, Restaurateurs, Philosophers, Physicians, Scientists, Writers, and Others Who Influenced the Way We Eat Today
Editor: Alice Arndt Publisher: Yes Press, Inc. Price: $48

The Organic Cook’s Bible
Author: Jeff Cox Publisher: John Wiley & Sons Editor: Linda Ingroia Price: $40.00

What to Eat
Author: Marion Nestle Publisher: North Point/Farras, Straus and Giroux Editor: Paul Elie Price: $30.00

Category: Single Subject

Braise
Author: Daniel Boulud Publisher: HarperCollins Publishers Editor: Emily Takoudes Price: $32.50

The Essence of Chocolate
Authors: John Scharffenberger and Robert Steinberg Publisher: Hyperion Books Editor: Leslie Wells Price: 35.00

Vegetable Soups from Deborah Madison’s Kitchen
Author: Deborah Madison Publisher: Broadway Books Editor: Jennifer Josephy Price: $19.95

Category: Wine and Spirits

Keys to the Cellar: Strategies and Secrets of Wine Collecting
Author: Peter D. Meltzer Publisher: John Wiley & Sons Editor: Linda Ingroia
Price: $29.95

Romancing the Vine
Author: Alan Tardi Publisher: St. Martin’s Press Editor: Elizabeth Beier
Price: $25.95

The Wines of France: The Essential Guide for Savvy Shoppers
Author: Jacqueline Friedrich Publisher: Ten Speed Press Editor: Meghan Keefe
Price: $19.95

Category: Writing on Food

Heat
Author: Bill Buford Publisher: Alfred A. Knopf Editor: Sonny Mehta
Price: $25.95

The Omnivore’s Dilemma
Author: Michael Pollan Publisher: The Penguin Press Editor: Ann Godoff Price: $26.95

The United States of Arugula: How We Became a Gourmet Nation
Author: David Kamp Publisher: Broadway Books Editor: Charlie Conrad Price: $26.00

Category: Photography

Kaiseki: The Exquisite Cuisine of Kyoto’s Kikanoi Restaurant
Photographer: Masashi Kuma Publisher: Kodansha International Editor: Greg Starr
Price: $45.00

Michael Mina
Photographer: Karl Petzke Publisher: Bulfinch Press/ Little, Brown and Company
Editor: Michael Sand Price: $50.00

Tartine
Photographer: France Ruffenach Publisher: Chronicle Books Editor: Bill LeBlond
Price: $35.00

CATEGORY: COOKBOOK OF THE YEAR
WINNER WILL BE ANNOUNCED ON MAY 7, 2007

Thriller Awards, Part 2

I received an email from author Rob Walker regarding the Thriller Award nominations. He expressed some comments and questions that I think others might have as well, so with his permission, I'm posting our exchange.

>>> --- Rob Walker wrote:---
Not to be totally cynical but after the Mystery Writers of America named Stephen King their guy this year for lifetime achievement, now the ThrillerFest authorities decide James Patterson is due a lifetime award for the Thriller...None of these organizations are playing tiddly-winks with name recognition now are they? Tell me, do you think the awards have to go to American authors who've consistently hit the bestseller list? Is it possible that this is a great way to get publicity for the MWA and the ITW? Does it have to do with output--number of books published? Or number of books sold? Or is there a scarcity of truly good authors known to the typical man on the street--not a household name, so we pass on sayFrederick Forsythe for a James Patterson? Just curious.

Rob Walker
http://blog.myspace.com/robertwwalkerbooks
www.myspace.com/robertwwalkerbooks
www.robertwwalkerbooks.com>>>

My response:

First of all, I think Stephen King is one of the greatest American writers, a master storyteller and while I wouldn't classify the majority of his books as mysteries, there are enough for him to qualify. Does that help MWA get more publicity? You betcha. Is there something wrong with that? Nope. Does King not only write amazing stories but also support new authors? Yep. All in all, I totally support the MWA's choice.

As for the ITW, their ThrillerMaster award states it goes to an author who has a body of work spanning at least two decades, and while I wouldn't swear to it,I'm pretty sure the author has to be a member of the organization, which leaves out a lot of people, including Forsyth.

Furthermore, for years and years there has been a stigma attached to genre writers, and thriller writers have been one rung below even that, a subgenre, if you will, that many authors don't want to be associated with - of course, a lot of that feeling has changed since Dan Brown's Da Vinci Code stayed on that bestseller list for more than two years.

So, is Patterson a great thriller writer? Well, that depends on your perspective. He may not be what I would consider a great writer (have you read Patrick Anderson's book, [The Triumph of the Thriller: HowCops, Crooks, and Cannibals Captured PopularFiction]? In my opinion, he condenses everything that's wrong with Patterson's writing into a short paragraph, it's brilliant.) But, that said, you can't argue with the millions of people who love his books, line up to buy his books every THREE months, and yes, have kept him on the bestseller list for a long time now.

Personally, I've enjoyed several of Patterson's books but I accept them for what they are - he's a good storyteller, no one can pace a book better or faster than he can with those ridiculous two page chapters, and enough character development, especially over the course of a series, to make the reader care. Does he support lesser known authors? Hell yes, they are writing his damn books for him and their names are front and center. And are you familiar with his PageTurner Awards? The man gives back.

Finally, Patterson has done more for the thriller genre than just about any other author except maybe Dan Brown - the bestseller lists are peppered with thrillers in large part because of Patterson. So all in all, I cannot argue with this choice for Thriller Master. And yes, I do think that these type awards do need to go to authors that consistently hit the bestseller list. Despite what you may think, popularity does count, especially in a lifetime achievement award. You don't get a career that spans a lifetime if you're not popular, it's that simple. If no one is reading your books except a small, diehard fan base, then no, you don't deserve this award.

I think Forsyth would be an excellent choice for this award and who knows, maybe someday he'll decide he is a thriller writer and join the organization. Or maybe they will offer him the award and then he'll join. There are a lot of very fine writers writing thrillers and this is only the second year of this organization and its awards, so I don't think it is fair to jump all over their choice when they pick someone who is obviously one of the most popular and most successful writers in that genre. In fact, to dismiss him because a lot of people don't like his writing would be doing a disservice to the genre and its fans. Yes, there will be more publicity for ITW because of their choice, but what on earth is wrong with a new organization getting some publicity?

I thank you for bringing these questions to me. I think a lot of people may be wondering about the same things you are.

Follow up from Rob Walker:

>>>Thanks for your thoughtful response and you covered all the bases well. I frankly in the end just would like to see an award for Excellence in writing, not Popularity in reading, I suppose.

Still, in my world, writing is an art not a souffle. When editors in New York are dictating to authors to write snippets instead of scenes and chapters, or to write a DaVinci Code type book, this bugs an artist. Most real artists rebel against the mainstream while still trying to be commercial and to get fed.>>>

My response:

I know that writing is an art, and most artists need to write to their muse, not to their editors. But the excellence in writing awards are out there, isn't that what the Best Novel, Best First Novel, and Best Paperback Original categories are for?

I was referring to the lifetime achievement type awards that, in my mind, require popularity as one of the components to that type of award. And it doesn't eschew excellence in writing either, it's just a completely subjective thing to judge.

2007 THRILLER AWARD NOMINEES ANNOUNCED BY INTERNATIONAL THRILLER WRITERS

Amid a grand celebration during the West Coast debut gala, BRUNCH ANDBULLETS, the illustrious co-presidents of ITW, Gayle Lynds and DavidMorrell, announced the nominees for this year's “Thriller” awards. They alsoofficially proclaimed the recipient for the 2007 ThrillerMaster Award (anaward honoring an illustrious body of work spanning two decades or more) tonone other than a true master of suspense, James Patterson.

BEST NOVEL

False Impression, Jeffrey Archer (St. Martin's Press)
Killer Instinct,Joseph Finder (St. Martin's Press)
Cold Kill, Stephen Leather (Hodder &Stoughton)
The Messenger, Daniel Silva (Putnam)
Beautiful Lies, Lisa Unger(Shaye Areheart Books/Bantam)

BEST FIRST NOVEL

Shadow of Death, Patricia Gussin (Oceanview Publishing)
Switchback, MatthewKlein (Orion)
A Thousand Suns, Alex Scarrow (Orion)
18 Seconds, George D. Shuman (Simon & Schuster)
Mr. Clarinet, Nick Stone(Michael Joseph Ltd/Penguin)

BEST PAPERBACK ORIGINAL

Skeleton Coast, Clive Cussler with Jack DuBrul (Berkley Trade)
The Deep BlueAlibi, Paul Levine (Bantam)
An Unquiet Grave, P.J. Parrish (Pinnacle)
Headstone City, Tom Piccirilli (Spectra Books/Crown)
Mortal Faults, MichaelPrescott (Onyx Books)

BEST SCREENPLAY

Inside Man: Russell Gewirtz
The Departed: William Monahan
The Good Shepherd: Eric Roth
Children of Men: Alfonse Cuarón, Timothy J. Sexton, David Arata, Mark Fergusand Hawk Ostby
Casino Royale: Neal Purvis, Robert Wade, Paul Haggis