A billionaire's ode to charity: $100 million to poetry journal
By James Warren
Tribune staff reporter
November 17, 2002
In the early 1970s, an unsolicited poem arrived in the Chicago office of Poetry, a small, influential but typically financially strapped literary magazine. It was from a Mrs. Guernsey Van Riper Jr. of Indianapolis.
Joe Parisi, the editor, thought it good but not up to the standards of a monthly known for running the works of titans of 20th Century poetry, including William Butler Yeats, W.H. Auden and Dylan Thomas.
Perhaps it was Parisi's handwritten rejection note. Or similar rejection notes he'd send over the years to the same woman, whom he has to this day never met or even spoken with. But, along the way, Mrs. Van Riper grew to have affection for the publication, the kind that may change the state of poetry in America.
Van Riper, who later divorced and switched back to her maiden name of Ruth Lilly, is the last surviving great-grandchild of Col. Eli Lilly, founder of Eli Lilly and Co., the pharmaceutical giant. At 87, she is a very low-profile, ailing billionaire-philanthropist who will now alter the 700-square-foot world of the four-person magazine housed in the basement of Chicago's Newberry Library.
Lilly will stratospherically increase her own previous donations to Poetry by giving it well in excess of $100 million over the next 30 years, with no strings attached. The stunning development, the result of a new estate plan approved by an Indianapolis court and confirmed by lawyers, was outlined, though not fully detailed, by Parisi Friday at a dinner that the magazine held at the Arts Club of Chicago.
"Yes, it does seem to have a couple of extra zeroes at the end of the number," said Billy Collins, the U.S. poet laureate, who attended the dinner. "It is probably an unprecedented gift to a literary publication. It's a wonderful and good thing, unambiguously good, that Mrs. Lilly has done."
And, in a grand understatement inspired by the turn of events, Parisi said last week, "Ruth Lilly has ensured our existence into perpetuity."
The monthly, whose paid circulation is a modest 10,000, was founded in 1912 by Harriet Monroe, a former art critic for the Chicago Tribune, and its storied past includes running the first major works of Carl Sandburg, T.S. Eliot and Wallace Stevens, as well as important efforts by Robert Frost, Ezra Pound and William Carlos Williams. It has flirted with poverty, frequently having less than $100 in its till, but it has never missed an issue, and thus is believed to be the oldest continuously published literary publication.
Lilly, who is childless, began writing poetry in the mid-1930s, said her attorney, Thomas Ewbank. She "did not take personally" the rejections from Poetry and proved to be a fan and loyal contributor, establishing in 1986 its annual Ruth Lilly Poetry Prize, which was initially $25,000 and has grown to $100,000. She also has sponsored two $15,000 annual fellowships via the magazine, as well as a professorship in poetry at Indiana University.
Lilly has been no less an enigmatic presence in Indianapolis, donating significant sums to academic and arts institutions, but in very understated ways.
The most notice she's received, besides the various donations, came amid some controversy several years ago over millions of dollars spent on European and Hawaiian travel for her and entourages of more than 30, including 26 personal staff members. The money came from the conservatorship into which her estate was placed in 1981.
But even knowledge that her estate exceeded $1 billion did not prepare the Chicago magazine for what was in the offing.
Message from a lawyer
Ewbank contacted Parisi last year, indicating that he had been instructed to devise a new estate plan for Lilly. Ewbank "suggested we obtain counsel, since the plan was so complicated," Parisi recalled. At that point, Parisi had no clear sense of the money involved, but he enlisted the services of estate specialist Richard Campbell.
As the Chicago attorney explained, there are essentially six different pots of funds created by what are known as charitable lead and remainder trusts. For example, out of three trusts, there will be one annual payment to the Modern Poetry Association, which oversees the magazine as its publisher, for as long as Lilly lives; a second annual payment over the next 15 years; and a third annual payment over the next 30 years.
With much of her wealth turning on Eli Lilly stock, which has had a topsy-turvy year (dropping from the mid-$80s to the mid-$40s, closing Friday at $61.30), one can make only broad estimates of values. Ewbank, citing his client's personal preference, did not engage in estimates, leaving them to the magazine.
But, by conservative assessments, the first payment, in January, will be about $10 million. And, over the course of the 30 years, a conservative estimate is $100 million, but it could well be closer to $150 million, Campbell said.
Ewbank would only say, "There are people who can snatch defeat from the jaw of victory. But assuming they have a good investment committee and controls, all they need be is prudent and conservative and this will provide them the base they need."
Such a sum would vault the association into the forefront of vaguely similar, arts-related non-profits. By comparison, the total assets of New York's John Simon Guggenheim Memorial Foundation are $219 million.
For sure, change will come swiftly once word breaks out about such good fortune. Old donors may well be reluctant to maintain their level of giving, while fledgling poets and others may inundate the magazine with requests for money.
With so much funding from one source, tax laws will require the Modern Poetry Association to become a private operating foundation rather than a so-called 501c3, its current tax-exempt status conferred to qualifying political and cultural institutions and interest groups. It is applying to change its name to the Poetry Foundation, but it will still be able to receive tax-deductible contributions.
High hopes for big bucks
Deborah Cummins, president of the association's board of trustees, said the group will seek to increase its various educational programs; devise seminars for teachers nationwide to teach poetry (aimed at middle and high school teachers); expand grants and fellowships; and increase the publication of books via its Poetry Press.
And, no surprise, it wants to use the money to buy its own, far larger and separate headquarters in Chicago. Along the way, it also hopes to find public space for thousands of books of poetry, which surpass those of most colleges and universities but are virtually all in storage.
"The magazine, as our crown jewel, will obviously remain. Perhaps we can pay our authors more [whether you're a Pulitzer Prize winner or unknown undergraduate, it pays $2 a line]. We aim to keep it the premier journal devoted to poetry in the country," she said.
As for long-term impact, Collins said, "The only thing I am sure of is that when the news breaks, it will draw a lot of good attention to the magazine and poetry itself.
"It reminds me of my father, a New York businessman, not being too impressed by my poetry writing. Then I got a $25,000 grant from the NEA (National Endowment for the Arts), and he started taking poetry seriously."
Copyright © 2002, Chicago Tribune
Saturday, November 23, 2002
A billionaire's ode to charity: $100 million to poetry journal
Posted by BookBitch at 11/23/2002 10:40:00 PM
Just got home from the Miami Book Fair. Had the pleasure of meeting some wonderful people, and listened to some incredible authors. The street fair has been downsized yet again, but lots and lots of authors. There are so many authors speaking that it forces visitors to make some very hard decisions, and throwing chaos into the mix surely doesn't help. Coming soon to the home page, my full report of a day at the fair...
Posted by BookBitch at 11/23/2002 08:29:00 PM
Point. Click. Think?
As Students Rely on the Internet for Research, Teachers Try to Warn of the Web's Snares
By Laura Sessions Stepp
Washington Post Staff Writer
Tuesday, July 16, 2002; Page C01
It is 2 a.m. and Daniel Davis, a University of Maryland freshman, has not even started his English paper on biological warfare, due that day.
No problem. He'll just do what he has done before a dozen times or more. He sits down at his computer in his dorm room, signs on to Yahoo's search engine and begins his quest. Six hours and several bags of chips later, the paper pops out of his printer, complete.
He doesn't consider visiting the campus library or opening a book. Why should he? "You can find whole pages of stuff you need to know on the Web, fast," he says.
So Davis is a procrastinator. So what? Professors are used to that. But six hours? That's a whole new kind of extreme.
Welcome to the world of Net thinking, a form of reasoning that characterizes many students who are growing up with the Internet as their primary, and in some cases, sole source of research. Ask teachers and they'll tell you: Among all the influences that shape young thinking skills, computer technology is the biggest one.
"Students' first recourse for any kind of information is the Web. It's absolutely automatic," says Kenneth Kotovsky, a psychology professor at Carnegie-Mellon University who has examined the study habits of young people.
Good? Bad? Who knows? The first popular Internet browser, Netscape, came out only about a decade ago. What we do know after millennia of training minds in scholarly disciplines is that something has changed and it's not apt to change back.
On the good side, Net thinkers are said to generate work quickly and make connections easily. "They are more in control of facts than we were 40 years ago," says Bernard Cooperman, a history professor at the University of Maryland.
But they also value information-gathering over deliberation, breadth over depth, and other people's arguments over their own.
This has educators worried.
"Seven years ago, I was writing about the promise of digital resources," says Jamie McKenzie, a former school superintendent and library director who now publishes an e-zine on educational technology. "I have to say I've been disappointed. The quality of information [on the Internet] is below what you find in print, and the Internet has fostered a thinner, less substantial thinking."
The problem is no longer plagiarism of huge downloaded blocks of text -- software can detect that now, when a teacher enters a few lines of a paper. The concern is the Internet itself.
Marylaine Block, a librarian and Internet trainer in Iowa, is blunt: "The Internet makes it ungodly easy now for people who wish to be lazy."
In the Shallows
Jeffrey Meikle, chairman of the American studies department at the University of Texas, sees the new world every time he walks into the main library on the Austin campus. There, where the card catalogue used to be, sit banks of computer terminals.
"My students are as intelligent and hardworking as ever," he says, "but they wouldn't go to the library if there weren't all those terminals."
All Web resources are not equal, of course.
What aficionados call "the deep Web," including subscription services such as Nexis and JSTOR, enables students to find information that is accurate, thorough and wide-ranging.
"I think the Internet encourages intellectual thinking," says Nora Flynn, a junior at Maryland. "You can go to so many sources, find things you never heard of. It forces me to think globally."
But many students don't have access to these costly, sophisticated resources or don't know how to use them. This leaves them relying on the free Web, a dangerous place to be without a guide.
Anyone can post anything on the free Web, and anyone frequently does. A student who typed "Thomas Jefferson" into the Google search engine would get 1.29 million hits; rap star Eminem would bring up 1.37 million. Narrowing one's search to certain words may not help. The gamelike quality of screen and mouse encourages students to sample these sources rather than select an appropriate text and read deeply into it or follow an argument to its conclusion. The result is what Cooperman, who teaches both Davis and Flynn at Maryland, calls "cocktail-party knowledge."
He's the model of a man of books: short-sleeve shirts, glasses, slight stoop, a pensive air. "The Web is designed for the masses," he says. "It never presents students with classically constructed arguments, just facts and pictures." Many students today will advance an argument, he continues, then find themselves unable to make it convincingly. "Is that a function of the Web, or being inundated with information, or the way we're educating them in general?"
Entering the Web
If students cannot come up with their own ideas, cut-and-paste technology allows them to lift someone else's sentences or phrases with ease.
Jeana Davis, a ninth-grade teacher in Arlington, says students frequently don't see anything wrong with this. "They'll say, 'I changed the words around.' And I'll say, 'But it's not your original thought.' "
Superficial searching habits can have tragic consequences, illustrated last year at Johns Hopkins University. A physician-researcher performed a test of lung function on a healthy 24-year-old woman, administering a large dose of a particular chemical. The woman then died of lung and kidney failure. The doctor had searched online for information about the drug but had failed to turn up any literature warning of its dangers -- information that medical librarians later did find online after the woman died.
Students can avoid such mistakes by asking for help from those trained to give it, but some young inquirers say they've done that and are merely waved over to the digital section of a library. Librarian Marylaine Block concedes that can happen, particularly since staff positions at many libraries have been cut.
Bonnie Kunzel, teen specialist at the Princeton Public Library, says students "will walk into our library and spend 30 minutes on the Internet trying to find out how a cobbler worked in Colonial America. I'll walk over and ask, 'Want to try a book now?' "
When students do come across something of interest, they may not be able to detect the author's bias because Web prose, unlike the writing in serious books and journals, often appears with only the slimmest of attribution, if any. This can introduce a certain naivete into their writing.
The Net has a kind of magical quality that leads younger students to say to librarians such as Block, "It has to be true. If it weren't true, they wouldn't let it be there." Says Block, "I have to tell them there is no 'they.' "
History teacher Davis, at Washington-Lee High School, recalls sitting down at the computer with a student who was researching Christopher Columbus's effect on the Americas. The student had found a convincing essay by an author taking Columbus to task for his treatment of Native Americans.
"Then we found another essay contradicting that," Davis says. "I asked the student, 'Who is right?' He couldn't tell, and neither could I."
Teachers like Davis spend class time teaching their Net thinkers how to read and think more critically. "I tell them, 'Don't take any Web site for granted. Who was the author? What authority does he or she have? Does the author have an agenda?' "
Maryland's Cooperman engaged a group of summer school students in a similar discussion earlier this month. The course was titled "History of the Jews I" and covered the period from the Bible through the Middle Ages.
Find a scholarly article on an issue in Jewish history, he told the students, suggesting that the best way to do that would be to visit the campus library and "touch books."
After receiving teacher approval of their articles, Cooperman's students summarized and evaluated the articles' arguments and then used the Web to find further sources. Cooperman told them to evaluate the usefulness of the Web sources compared with the scholarly material.
Their Web work turned up contradictions, errors and extraneous material. Nora Flynn, exploring the female Talmudic scholar Beruriah, noted in class that the scholarly article talked about Beruriah as a late invention, a composite of several women scholars. Web sources that she found through the popular search engine Google referred to Beruriah as one woman, she said.
Student Lauren Steely said the Internet sites he looked at presented lots of facts but got the dates wrong. Amy Newman, researching anti-Semitism in Europe at the time of the Black Death, brought up more than 2,000 sites on Google, "but the first 30 were useless. Just poems and songs. Then there was one story that looked like a kindergartner had written it."
"Or maybe it was a basketball player from Duke," Cooperman quipped, drawing a laugh from everybody who roots against Maryland's arch-rival.
Daniel Davis noted that several popular search engines place at the top of their lists the sources that have paid them the most money. This would be like a library prominently displaying only those books whose publishers paid for the privilege, and Davis knows it. But it doesn't stop him from using those search engines.
It only makes him, and young people like him, skeptical about information sources wherever they're found, including books.
"College students are quite aware that they can't trust what they read," says Meikle at Texas. "They're drawn to sites that are ironic or sarcastic, poking fun at perceived truths."
Not that long ago, Meikle continues, a person who wrote a book was assumed to be an authority. "Now, when anybody can have a Web site on any topic, then everybody is an expert, which means nobody is."
Cooperman says this is not necessarily a good thing for students. They "assume everyone is a liar." Shallow thinking is one result, he says. Another is the unwillingness among some students to take a strong position themselves lest they be battered by classmates for their ideas.
Students who are not urged to "touch books" often don't realize how much information is not on the Internet. According to Block, only about 15 percent of all information -- books, periodicals, government documents -- is found there. The full texts of articles from most academic journals, for example, are not online nor are most current books. Because of copyright laws, a lot of information may never make it to the Net, Block says, which is why she and other librarians worry about lawmakers who slash library budgets or propose eliminating libraries altogether, saying, "Why do we need them? Everything's on the Internet."
And so the problem feeds on itself, encouraged by legislators.
Even the most vocal Net critics say it has aided learning in some ways. Students no longer have to wrestle with microfilm machines or wait at the circulation desk for books placed on reserve. Instead, they wander through the information landscape. Jamie McKenzie calls them "free-range students." Philosopher John Dewey, the proponent of student-driven education, would be proud.
Allison Druin, an education professor who runs the human-computer interaction lab at Maryland, says even younger children can create something new on their own Web sites. In her laboratory, children ages 7 to 11 work with professors designing software that kids their age can use when querying the Internet.
"The Internet is a tool, but it's also something they can make an addition to," says Druin. "That's pretty powerful stuff for a kid."
"I see kids much more able to construct on their own," she continues. "They used to look at us and ask, 'What's our next step?' Now we say, 'Here's the goal, here are our resources, here's our timeline,' and they take off.'"
Meikle, at the University of Texas, observes the same phenomenon. His best undergraduates come up with new takes on old subjects as quickly as graduate students did years ago, he says. "I don't think you can come up with something original unless you have an array of things to look at, and the Internet certainly gives you that," he says. "It isn't collaging, it's building something new."
One would like to think that this self-confidence and creativity will produce adult citizens eager to participate in society and tackle its problems.
When Jeana Davis at Washington-Lee makes an assignment, she directs students to Web sites they might not know about but that she has already approved. If students want to use another site, they must win Davis's approval.
She requires students to use at least three books on any assignment, not including encyclopedias. She checks their work during each project, looking for originality and depth.
Cooperman at Maryland suggests books, first, to any student who asks him for help. He also offers extra credit to students who do research in the library, according to Daniel Davis, who likes getting bonus points for doing what students took for granted only a decade ago.
"Sitting in the library is a lot better than sitting on the Internet," he says, even though he's not exactly a frequent visitor to the main campus library. "If you go into the library, you have to take apart a topic and you become sort of an expert. Sitting on the Internet you don't actually learn anything."
The place he does visit, as a music major, is the performing arts library. "I can sit for hours there looking at books and things, with no particular goal in mind."
That's post-Net thinking, says McKenzie, a realization that digital is not enough, that grazing is good, but great ideas require deep reading, incubation and contemplation. He believes today's students are headed in that direction if grown-ups take seriously their assigning, as well as advising, role.
"For decades we've been doing topical research," he complains. "Schools say, 'Go find out all about Molly Pitcher.' That's an invitation to scoop it up, to write stuff they already know. We should be encouraging kids to research the difficult truth. Let's tell them a woman has been diagnosed with breast cancer and has five doctors recommending different treatments. What would they do?"
But do school systems really want students using the same tools to question current proprieties and conventional wisdom? Teach kids to be critical thinkers and they'll be sending it right back at the teacher in the classroom.
There is much to worry about.
Up to a point. Libraries have a longstanding appeal that goes beyond the antique, baby's-breath smell of books and the sense of exploration, spelunking through the stacks. Few students can get through college untouched by this experience, whether they know it or not.
"There's something in a library that makes you feel like an intellectual," said Amy Newman. "You can wear glasses, look like Dr. Cooperman. When you read, the books have such nice writing."
© 2002 The Washington Post Company
Posted by BookBitch at 11/23/2002 08:23:00 PM
Thursday, November 21, 2002
National Book Award Winners Announced
The winners of the 2002 National Book Awards were announced November 20, at a ceremony at the New York Marriott Marquis Hotel in New York City. The annual awards are given by the National Book Foundation to recognize achievements in four categories: Fiction, Nonfiction, Poetry, and Young People's Literature. The night's ceremonies included the presentation of the National Book Foundation Medal for Distinguished Contribution to American Letters to Philip Roth.
This year's winners by category were:
Julia Glass, Three Junes (Pantheon Books)
Robert A. Caro, Master of the Senate: The Years of Lyndon Johnson (Alfred A. Knopf)
Ruth Stone, In the Next Galaxy (Copper Canyon Press)
YOUNG PEOPLE'S LITERATURE
Nancy Farmer, The House of the Scorpion (A Richard Jackson Book/Atheneum Books for Young Readers) -- my daughter loved this book!
Posted by BookBitch at 11/21/2002 06:29:00 AM