Saturday, September 07, 2013

Countdown to the Miami Book Fair!


SAVE THE DATE!

MIAMI BOOK FAIR INTERNATIONAL 2013
CELEBRATES ITS 30TH ANNIVERSARY!

Presented and produced by The Center For Literature and Theatre @
Miami Dade College

Nov. 17 – 24, 2013

The nation’s finest and largest literary gathering, Miami Book Fair International, presented by The Center for Literature and Theatre @ Miami Dade College (MDC), turns 30 this year! The beloved festival will take place November 17 – 24, 2013, at Miami Dade MDC’s Wolfson Campus in downtown Miami.

In commemoration of the 500 years since Ponce de Leon landed in Florida, this year the Fair will celebrate the culture and literature of Spain. Some of the country’s most illustrious writers and artists will present their works at the Fair this year.

In addition, the artist of the official Book Fair poster is one of Spain’s most important illustrators and comics artists and winner of the 2007 Premio Nacional de Comic, Francisco Capdevila, better known as “Max.” The official poster, along with the Generation Genius Days poster by popular comics and graphic novels creator Paul Pope, will be unveiled September 20 at the College’s Historic Freedom Tower as part of a DWNTWN Arts Days celebration that will bring together all of the other MDCulture’s departments – Miami International Film Festival, MDC LiveArts, Galleries and Museum of Art + Design and Teatro Prometeo.

The Miami Book Fair, one of Miami’s flagship cultural events, will treat book lovers to eight days of cultural and educational activities, including the beloved Evenings With… series, the IberoAmerican Authors program, literacy and learning activities for children and teens during Generation Genius Days, and The Kitchen, demos and panels for food enthusiasts in partnership with the college’s Miami Culinary Institute. Fairgoers will also enjoy more than 200 exhibitors from around the country selling books in a festive atmosphere and hundreds of author reading and discussing new books during the weekend Street Fair.

The Center for Literature and Theatre @ MDC Presents Celebrates 30 Miami Book Fairs with Pre-fair Author Events

The Center for Literature and Theatre @ Miami Dade College presents seven readings by superstar authors in September, October and November as a prelude to the nation’s finest and largest literary gathering, Miami Book Fair International. The six author presentations, planned to celebrate the Fair’s 30th anniversary, also celebrate a long-standing partnership between independent bookstore Books & Books and The Center.


Thursday, Sept. 26, 7:30 p.m.
Salman Rushdie on Joseph Anton, in conversation with Mitchell Kaplan,
co-presented with Books & Books
MDC Wolfson Campus - Chapman Conference Center, Building 3, 2nd Floor
Tickets required; visit www.booksandbooks.com

Monday, Sept. 30, 7:30 p.m.
Nicholas Sparks on The Longest Ride, co-presented with Books & Books
MDC Wolfson Campus - Chapman Conference Center
Tickets required; isit www.booksandbooks.com

Wednesday, Oct. 9, 7:30 p.m.
Elizabeth Gilbert on The Signature of All Things, co-presented with Books & Books
MDC Wolfson Campus – Auditorium, Building 1, 2nd Floor
Tickets required; visit www.booksandbooks.com

Thursday, Oct. 24, 7:30 p.m.
Billy Collins on Aimless Love: New and Selected Poems, co-presented with Books & Books
MDC Wolfson Campus – Auditorium, Building 1, 2nd Floor
No tickets required.

Saturday, Nov. 2
Helen Fielding on Bridget Jones: Mad about the Boy, co-presented with Books & Books
Time & Location TBD
Tickets required; visit www.booksandbooks.com

Wednesday, Nov. 6, 7:30 p.m.
Donna Tartt on The Goldfinch, co-presented with Books & Books
MDC Wolfson Campus – Auditorium, Building 1, 2nd Floor
No tickets required.

To celebrate the 30th Fair is a series of special readings by Sir Salman Rushie, Elizabeth Gilbert, Helen Fielding, Nicholas Sparks, Donna Tartt, and Billy Collins to commence in September. Additionally, the MBFI has launched a campaign that celebrates Miami’s love and involvement with their hometown jewel. Visit the Fair’s social media platforms for vintage photos, author Q&As, and a sampling of the many reasons why Miami loves Book Fair:

Miami Book Fair International 2013 promises to be another exceptional literary event!

For regular updates on the Miami Book Fair, please visit www.miamibookfair.com

MIAMI BOOK FAIR INTERNATIONAL AND THE CENTER FOR LITERATURE AND THEATRE @ MIAMI DADE COLLEGE
Miami Book Fair International, widely considered the largest and finest literary event in the U.S., is the premier event of The Center for Literature and Theatre @ Miami Dade College, a part of MDCulture, the Cultural Affairs Department of the College. The Center promotes reading, writing and theater at locations throughout South Florida by consistently presenting activities open to all. Its Generation Genius programs for children and teens promote literacy and learning. Its creative writing program has national appeal, and courses are taught by local and visiting authors. It is also home to Prometeo Theatre, the nation's leading Spanish language, conservatory-style program offering training for actors, and featuring performances throughout the year. In 2012, the Center celebrated its tenth year with a renewed commitment to the advancement of literary and theater arts.

Miami Book Fair International is made possible through the generous support of the State of Florida and the National Endowment for the Arts; the City of Miami; Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners; Miami-Dade County Public Schools; the Greater Miami Convention and Visitors Bureau; the Miami Downtown Development; and the Friends of the Fair; as well as many corporate partners.

Miami Dade College
Miami Dade College has a long and rich history of involvement in the cultural arts, providing South Florida with a vast array of artistic and literary offerings including The Miami Book Fair International, The Florida Center for the Literary Arts, The Miami International Film Festival, the MDC Live Arts performing arts series, The MDC Tower Theater Cinema Series, the Miami Leadership Roundtable speakers’ series, the National Historic Landmark Freedom Tower, numerous renowned campus art galleries and theaters, and the nationally recognized School of Entertainment and Design Technology. With an enrollment of more than 174,000 students, MDC is the largest institution of higher education in the country and is a national model for many of its programs. The college’s eight campuses and outreach centers offer more than 300 distinct degree programs including baccalaureate, Associate in Arts and Science degrees and numerous career training certificates leading to in-demand jobs. MDC has served nearly 2,000,000 students since it opened its doors in 1960.


Thursday, August 29, 2013

Win MOONRISE by Cassandra King!

Acclaimed author Cassandra King's new novel is Moonrise, available on September 3rd from Maiden Lane Press.  MOONRISE is a novel of dark secrets and second chances, New York Times’ bestselling author Cassandra King’s homage to the gothic classic Rebecca by Daphne du Maurier.

When Helen Honeycutt falls in love with a man who has recently lost his wife in a tragic accident, their sudden marriage creates a rift between her new husband and his friends, who resent her intrusion into their close circle. When the newlyweds join them for a summer at Moonrise, his late wife’s family home in the beautiful Blue Ridge Mountains, it soon becomes clear that someone is trying to drive her away, in King’s literary homage to Rebecca by Daphne du Maurier.

Here Cassandra shares a few words about relationships, family dynamics and divorce --- all present in Moonrise.

Q: In Moonrise, you’ve written about a circle of friends that includes not just women but also men. The relationship within each couple is unique. While friendship has been a regular theme in your previous novels, the women in Moonrise seem more capable of betrayal than in previous novels. Would you like to comment on this? And with the exception of your first novel, Making Waves, you’ve most often focused on friendships between women. Do you find it harder to write about men?
A: Relationships are always complex, even the closest and most loving—or, perhaps, especially the closest and most loving. In this book, I wanted to explore that complexity in ways I haven’t in previous novels. Yes, friendship is a beautiful thing, but how do we deal with rejection? We all experience rejection at some point in our lives, and it always hurts. And what about betrayal? I wanted to look at the darker part of friendships--what’s often hidden beneath the amiable surface. How do friendships survive jealousy, lies, loss of trust? And if they do, what’s left? All that intrigued me, especially as it applied to the relationships between men and women, both friends and lovers. I find it easier to write about men than women for some reason. I toyed with having a male point of view in this book in addition to Helen’s and Willa’s, using Noel or Linc as one of the narrators. But Tansy would not stand for it.
Q: The stigma of divorce is, for many, a thing of the past. With the increase in the divorce rate, many more couples find themselves remarrying at midlife and having to adjust to blended families. In Moonrise, Helen is rejected not only by her husband’s circle of friends but also by his daughter. Which do you think is harder to bear, and why?
A: It depends on how you define family. Most of us expand that notion well beyond bloodlines or genetic ties, and close friends become like family to us. Certainly in a second marriage, efforts are made all around to expand the boundaries of the family unit. Helen and Emmet each have a child who has left the nest and started his/her own life, making for a slightly different situation (though not an uncommon one). Since Emmet’s daughter has lost her mother, Helen wants to play a more significant role as stepmother than she might otherwise have done. However, the daughter’s resentment is an obstacle that has to be overcome. From my observations, I don’t think that’s an uncommon situation, either.

About the Author:
CASSANDRA KING is the bestselling author of four previous novels, Making Waves, The Sunday Wife, The Same Sweet Girls and Queen of Broken Hearts, as well as numerous short stories, essays and articles. Moonrise, her fifth novel, is set in Highlands, North Carolina. A native of Lower Alabama, Cassandra resides in Beaufort, South Carolina, with her husband, Pat Conroy.

If you’d like to win your own copy of MOONRISE, just send an email to contest@gmail.com, with "MOONRISE" as the subject. Make sure to include your name and mailing address in the US only. This is a quick contest so your odds of winning are really good - if you enter by Sept. 11, 2013. Good luck!

Wednesday, August 14, 2013

Jojo Moyes Giveaway!


I am delighted to be able to offer a copy of the new Jojo Moyes book, THE GIRL YOU LEFT BEHIND as well as her hit ME BEFORE YOU to one lucky reader!

Moyes returns with another spellbinding and irresistible heartbreaker of love and sacrifice.                                       
In the small French town of St. Péronne, Sophie Lefèvre is struggling under the German occupation. It is 1916, and with her husband (and most other men) fighting at the front, she is barely keeping the family restaurant—Le Coq Rouge—afloat under the strict and unforgiving rationing. To combat the pain of a starving belly and despite the fact that it draws unwanted attention to her family, Sophie defiantly keeps the portrait her artist husband painted of her up on the wall. Seeing it transports her back to their lives in Paris—full of good food and joie de vivre. When the painting catches the eye of the new Kommandant, Sophie becomes the object of his obsession. As he spends more time at Le Coq Rouge, Sophie is drawn into a dangerous bargain with the German officer as she tries to protect those she loves the most.

Almost a century later, Liv Halston is living under the shadow of her young husband’s sudden death and a growing debt. She lives in the gorgeous flat he designed for them, but her lack of a steady job means she can no longer afford to keep the show place that should have been her home forever. Her prized possession, given to her by her husband as a wedding present, is the same portrait that hung on Sophie’s wall in 1916. Enter Paul McCafferty; when Liv meets him during a chance encounter, she starts to feel like life may have something in store for her yet. But Paul’s work lies in the restitution of art lost and the spoils of war. In a cruel twist, his next case: the portrait of Sophie that Liv loves most in all the world. For Liv, her belief in what is right will be put to the ultimate test.

Q&A with Jojo Moyes
 author of THE GIRL YOU LEFT BEHIND

THE GIRL YOU LEFT BEHIND, though a love story, features strong female relationships as well. What made you want to write about the connections that can form between women? If Liv and Sophie had lived in the same time, do you think they would have been friends?

My female friendships are so important to me; I honestly don’t know how women survive without them. I get very bored of reading manufactured narratives that pit women against women; the working mums vs. stay at homes, old vs. young, the ‘evil’ woman boss who is trying to keep younger women down—I don’t recognise these images—most women I know are actually pretty supportive of each other. So I liked having relationships in this book where women are supportive of each other, even if their relationships are often complex and changing. To me that reflects real life.

And yes, I think that Sophie and Liv might have been friends—I think through her sister’s grief, Sophie might have understood Liv’s own. And both knew what it was like to utterly adore your husband.

The reclamation of art taken during wartime is central to the plot. How did you first encounter this topic and what kind of research did you do to learn more about it?

I was briefly the arts correspondent for The Independent newspaper in London, so I knew a bit about the legal issues. But I read an amazing news story about a young woman reporter who had been asked to mind a huge collection of stolen Nazi artwork, and was given a very valuable stolen Cranach as a ‘thank you.’ Many decades later when it came up for auction it was recognised and became the subject of a claim.

It would seem the issue of returning stolen art is clear-cut, but Liv finds herself trying to keep a painting that may have been ill-gotten. Is there room for sympathy on both sides?

Without wanting to diminish in any way the suffering of those who lost their precious belongings, I think there is. The more time that goes by, the more complicated the issue becomes, as people buy and sell in good faith, not knowing the painting’s tainted past. These things are also complicated when great legal industries spring up around them, as seems to have happened in the case of stolen artwork.

You create a vivid sense of French life under the German Occupation in WWI. Did you know much about this period prior to writing the novel?

No I didn’t, but the more research I did, the more fascinated I became by it. I knew about the terrible losses suffered in northern France during the first world war, but I knew little about life away from the Western Front, and the fact that in a great swathe of northern France Belgian and French people had their homes and belongings requisitioned in such a widespread and systematic way.

Sophie and Liv exist a century apart, but their lives are strongly connected, making the past feel very much alive in your story. Do you feel a strong link to the past or a particular historic figure?

That’s an interesting question. I’m not sure I do. I’m always amazed when people do past life regression and say they turned out to be Cleopatra or Florence Nightingale... I think I’d be the anonymous girl who ran the fruit stall near the river, or kept the accounts in the hat shop. But I do like to look at the lives of particularly brave women in history though, undercover women agents, in wartime or Amelia Earhart, say, and try to use their actions to make me braver in my everyday life, like standing up to a traffic warden....

What do you hope readers will take away from THE GIRL YOU LEFT BEHIND?

I hope they’ll be transported into a time and place they didn’t know about. And I hope that they will put themselves in the place of Sophie and Liv, and ask: what would I do in their shoes? I love writing strong, resourceful female characters, and Sophie was one of my favourites, so I hope some women might be a little bit inspired too. Mostly I simply hope that they will feel glad they picked up the book and took the journey with me.


I can’t wait to read this new book - I loved ME BEFORE YOU! Here’s my review:

Louisa has lived in a small English village her whole life, and even though she's in her 20's she has no plans on leaving. She loses her job when the cafe where she works closes, and the employment office in town offers her up one job more awful than the next, topped by their final offer; caretaker for a quadriplegic for six months. The money is very good, and her family relies on her income to get by, so after being assured she won't have to wipe anyone’s bottom, she grudgingly agrees to  the job.

Her new boss is a much younger man than she expected. Will comes from money, but was a very successful businessman prior to his accident, the type that traveled worldwide and lived life to the fullest. Struck by a car, he is in constant pain and needs constant care. He has someone to do the physical stuff for him; Louisa is there to be more of a companion for him. But he's nasty and angry and she doesn't know how to reach him.

Eventually she does reach him, and she’s determined to help him find a way to enjoy his life to the best of her ability, but will that be enough? Will wants to die, and his parents have reluctantly agreed to assist him, provided he give them six months. Once Louisa learns this, she becomes more determined than ever to save him, falling in love with him along the way. What could have been a maudlin story, or an overly sweet one, is instead a cataclysmic love story that just resonates; this is a remarkable book.



If you’d like to win these books, just send an email to contest@gmail.com, with "Jojo Moyes" as the subject. Make sure to include your name and mailing address in the US only. This is a quick contest so your odds of winning are really good - if you enter by August 23, 2013. Good luck!

Monday, August 12, 2013

CHARLES BUKOWSKI ON AUDIO!

HarperCollins To Publish
CHARLES BUKOWSKI’s Works In Audio For The First Time
and I'm a little excited about that. HAM ON RYE is my personal fave...read on for all the info
“Charles Bukowski is the Walt Whitman of Los Angeles.”
—    Joyce Carol Oates

“Bukowski is the laureate of the Los Angeles underground – an eccentric who sees the world with a clarity of vision possessed only by artists and madmen.”
—    Los Angeles Times

“There is real poignancy in the people encountered in Bukowski’s work.”
—    New York Times Book Review

In commemoration of what would have been his 93rd birthday, HarperCollins will publish eight of Charles Bukowski’s works in audiobook format for the first time. These eight unabridged works  ¾  Post Office (1971), South of No North (1973), Factotum(1975), Women (1978), Ham on Rye (1982), Hot Water Music (1983), Hollywood (1989), and Pulp (1994) ¾  are all narrated by actor Christian Baskous and will be released on August 13th in the Digital Audio format.
Ecco President and Publisher Daniel Halpern says, “It would be Bukowski himself reading here, if the technology had advanced quickly enough.  But his voice rings clear and deep in these renditions – and from them, the genius of Bukowski flows forth.”
Often crude, brutal, and savagely funny, Bukowski was a cult hero and prolific writer, completing more than forty books of poetry, prose, and fiction. He is known for his gritty, dark honesty and the grimly hysterical worlds which he created. The Washington Postcalled him “the poet laureate of sour alleys and dark bars, of racetracks and long shots.” Because his work is often heavily autobiographical, Bukowski’s experiences as an underground writer are evident in novels such as Post Office (1971) and Ham on Rye(1982), as well as the stories of Hot Water Music (1983). Bukowski continued his examination of “broken people” in such novels as Post Office (1971) and Ham on Rye (1982), giving both a heavily autobiographical tilt.
To his legions of fans, Charles Bukowski was – and remains – the quintessential counterculture icon. A hard-drinking wild man of literature and a stubborn outsider to the poetry world, he wrote unflinchingly about booze, work, and women, in raw, street-tough poems whose truth has struck a chord with generations of readers. “He brought everybody down to earth,” says Leonard Cohen, “even the angels.”


ABOUT THE AUTHOR
Charles Bukowski is one of America’s best-known contemporary writers of poetry and prose and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, to an American soldier father and a German mother in 1920, and brought to the United States at the age of three. He was raised in Los Angeles and lived there for fifty years. He published his first story in 1944 when he was twenty-four and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp (1994). http://charlesbukowski.com/



· Please visit www.HappyBirthdayBukowski.com for more information ·



CHARLES BUKOWSKI
HarperAudio, an imprint of HarperCollins Publishers
Publication Date: August 13, 2013


FACTOTUM
Price: $18.99 / 9780062302939 / 5hrs 8mins

HAM ON RYE
Price: $21.99 / 9780062302908 / 7hrs 38mins

HOLLYWOOD
Price: $18.99 / 9780062302960 / 6hrs 24mins

HOT WATER MUSIC
Price: $18.99 / 9780062302977 / 5hrs 52mins

POST OFFICE
Price: $15.99 / 9780062302922 / 4hrs 32mins

PULP
Price: $13.99 / 9780062302946 / 3hrs 38mins

SOUTH OF NO NORTH
Price: $18.99 / 9780062302984 / 6hrs 1min

WOMEN
Price: $24.00 / 9780062302915 / 10hrs 26mins



Listen to an excerpt from each audiobook at SoundCloud

Friday, August 09, 2013

Guest Blogger: JEANINE PIRRO

I am honored to have as my guest blogger Jeanine Pirro, author of the terrific Dani Fox series of legal thrillers. Who better to write about the law than the woman who lives it? Read on to learn more about the book and how you can win your own copy!

From Jeanine Pirro:

I came into law enforcement at a time when women were nearly invisible--not as victims, there were plenty of those--but as prosecutors, lawyers, investigators, advocates and judges.   The year was 1978.  Entering the courthouse in Westchester County was like entering an all boys club.  As a woman in the District Attorney’s Office and then as the first woman District Attorney I was most often the only woman in the room.

It meant that I had to fight harder and have a thick skin.  But, I saw things the men missed that a woman would know that made my cases even stronger.

As I look back at that time in my career I realize how difficult it was.  Writing these novels about a naive woman prosecutor coming up through the ranks like I did lets me take another look at this amazing period of transition and see it in a way I couldn’t when I was focused on my role in the criminal justice system. 

I spent years building cases--piecing together details gathered by detectives and others, asking questions, looking for the lies as well as for the truth.  I was looking for the bad guys but I also got an education I wasn’t expecting:  as it turns out, the justice system is one of the best schools for writing fiction.  Love, greed, desperation--I saw it all move people to do terrible things.  I realize now that I see the world a little differently after all that--and the instincts to see through a story in a particular way has never left me.  Now I get to really dive into what moves the detectives, what goes through the mind of a sociopath, how the politics of the system can shift the direction of an investigation in ways the public never realizes. 

Building a case is like creating a blueprint for the crime—it traces back from the crime to its beginnings.  You want it to be clear how each step led to another.  Writing a novel I realized can’t be that sure-footed or you will lose the reader. It was a great challenge to figure out how to create all the layers in Dani Fox’s, my main character, world so that the reader would experience the case in the same way she does, slowly, sometimes through detours, filtered by her experience and those around her.  I’ve always had an ear for the way people express themselves—the banter of people who are used to working with each other in difficult circumstances, the way language can be used to put class distinctions front and center, and how the words chosen tell so much more than the speaker even knows—so getting the voices right of each of the characters has been some of the most fun of all. 

But believe me, it’s been hard work!  Coming up with the crime is the easy part—writing about all the people involved in solving and prosecuting it was not.  And the more intimate scenes!  I wanted to make Dani Fox, my main character, believable in every way and that meant getting not only her professional life right on the page, but also her personal life, her love life which since she’s young is bound to be complicated. 

I didn’t know what it was going to be like when I first started writing fiction.  A literary agent—now my agent--chased me for years before I said yes.   Now, I can’t stop thinking of what Dani is going to face next—and it’s a case I can’t wait to tackle.   


 CLEVER FOX is the second installment in Pirro's adrenaline-laced series featuring Pirro's alter-ego, young assistant D.A. Dani Fox. Outspoken and fiery, Pirro has a wide-ranging perspective of the criminal justice system in which she worked for decades. Celebrated for her ground-breaking advocacy and fearless stances, this crusading prosecutor, judge, and Emmy-winning television host (Justice with Judge Jeanine on the Fox News Channel) now turns to fiction to reveal a different kind of truth about crime and justice.

I loved this book! Here's my review, as published in Booklist:

This sequel to Sly Fox (2012) finds prosecutor Dani Fox summoned to work on New Year's Eve 1979. The only woman in the Westchester County district attorney's office, she heads up the newly formed Domestic Violence Unit and fights the entrenched old-boy network on a daily basis. A New Jersey Mafia dons daughter is found tortured and murdered, and Fox and her journalist boyfriend, Will, rush to the crime scene, in Yonkers. As Fox and her investigating officer start digging, they find that the dead woman had been having an affair with her father's most hated enemy, head of another crime family. The FBI has an eyewitness agent who can place the don at the scene of the crime, and political pressure becomes unbearable as Fox's boss demands immediate justice. She isn't comfortable with charging a man based on circumstantial evidence, and as witnesses start disappearing, the pressure really heats up. Pirro joins the ranks of fellow prosecutors Linda Fairstein and Marcia Clark in turning out tautly written legal thrillers, and Pirro's expertise shines on every page.

If you would like to win a copy of CLEVER FOX, just send an email to contest@gmail.com, with "CLEVER FOX" as the subject. Make sure to include your name and mailing address in the US only. This contest is going to run for two weeks, so your odds of winning are pretty good - if you enter by August 23, 2013. Good luck!

Wednesday, August 07, 2013

Meet Ivy Pochoda

One of the highlights of ThrillerFest for me was getting to spend a little time with Ivy Pochoda, author of this year's summer sensation, VISITATION STREET.

REVIEW
VISITATION STREET by Ivy Pochoda: If you're the type that only reads one book each summer, look no further. This latest from the Dennis Lehane imprint at HarperCollins is a tour de force, an unputdownable, powerful read, garnering starred reviews from Kirkus, Publisher's Weekly, Library Journal and Booklist, as well as being the pick of the week at People magazine and Entertainment Weekly and An Amazon Best Book of the Month, July 2013. Not to mention all the glowing newspaper reviews! The praise goes on and on, with nary a negative word in sight.

Usually when there is this much hype about a book, it is almost impossible to live up to, but Pochoda manages to pull it off. Set in Red Hook, Brooklyn, an area divided into the "projects" and the "neighborhood" - with some crossover bound to happen, especially with school age kids. This waterfront community takes a hit one hot summer night. 

June and Val are best friends, fifteen years old and in that gray area between childhood and adulthood, looking for some fun. The girls have a pink inflatable raft and decide to take it out on the bay, but that decision has devastating consequences.

Jonathan, their music teacher, finds Val unconscious, washed up on the shore, but June has disappeared. Jonathan is a Julliard drop out, drinking too much and spending all his free time in the neighborhood bar. 

Chief suspect is Cree, a young black man from the projects that was seen in the area that night. Cree has a guardian angel, of sorts - a young, homeless graffiti artist has decided to befriend him, and protect him.  

Fadi is a Lebanese shop owner trying to assimilate into the community, and wants his store to become the center for information on the missing girl. All of these characters are fully brought to life, and Red Hook itself becomes yet another character in this tightly written and moving story. 

This is ostensibly a mystery, but the story revolves around the characters, and they are wondrous. This is a memorable read, beautifully written and imaginatively conceived. Don't miss it.

I loved the book, and when I heard Ivy was going to be at ThrillerFest, I arranged to meet her. She was on a panel, which unfortunately I missed; timing is everything, and mine was off. Afterwards, we chatted about Brooklyn, Dennis Lehane and more.

I found it very amusing that Ivy didn't even realize she was writing crime fiction. She wrote about this great place, Red Hook, which she originally was going to call something else to disguise it. But her editor convinced her to keep the real name, which to me adds something to the story when you know it is a real place. In fact, the day we met, Ivy was very nervous about going home to Red Hook and doing a reading at the bar where much of the book is set. I wasn't there but I'd bet it went really well.

Visitation Street is her second novel. Her first, The Art of Disappearing, came out in 2009 to some nice reviews, but didn't do much sales-wise. I asked her what she was doing between then and now, and was surprised to learn that Ivy is a celebrity ghostwriter. She's written a couple of NY Times bestsellers for celebrities and lives in the Los Angeles area. That said, it took her two years to write Visitation Street.

Ivy is a big fan of HarperCollins editor Lee Boudreaux, at the Ecco imprint. Lee edits literary fiction that Ivy loves, including such notable authors as David Wroblewski, Curtis Sittenfeld, and Arthur Phillips. Ivy told me she asked her agent to submit Visitation Street to Lee, and if she rejected it, then to try other publishers, but Lee snapped it up. 

I asked how Dennis Lehane came to be involved with the project. A lot of the publicity this book has received is because it is the second book from his eponymous imprint. Turns out Lee Boudreaux sent it to him blind, looking for a blurb. Instead, he asked to publish it, so it is co-published by two very esteemed editors. 

Ivy comes from a publishing family - her father was a vice president at Random House while she was growing up. He then moved to a university press, and is now retired. She learned about the business of publishing from her dad.

Ivy told me that she never thought of Visitation Street as crime fiction, but rather a story that answers a question. As a crime fiction reader and reviewer, I had to disagree and apparently I'm in good company. This is a memorable book that revolves around a crime, but it is the characters that bring it to life. 

I had a lot of fun chatting with Ivy. She's smart, funny and energetic. I am already looking forward to her next book!

Stacy Alesi & Ivy Pochoda
ThrillerFest 2013

Monday, August 05, 2013

Win The Thinking Woman's Guide to Real Magic

I am delighted to offer one lucky reader a copy of The Thinking Woman's Guide to Real Magic by Emily Croy Barker!




A Conversation with
Emily Croy Barker, author of
THE THINKING WOMAN’S GUIDE TO REAL MAGIC
Pamela Dorman Books/Viking; on-sale August 5, 2013; 9780670023660; $27.95
 

Q. Which of the characters in THE THINKING WOMAN’S GUIDE TO REAL MAGIC did you most enjoy writing?

A. Aruendiel, no question. He says exactly what he thinks, and he doesn’t mind giving offense to anyone. Not something that most of us can get away with in our daily lives.
Of course, Ilissa was also a lot of fun, too. Because she’s also honest—Faitoren can’t tell lies—but at the same time, she’s thoroughly deceitful.

Q. Are any parts of this novel autobiographical?

A. You mean, is it about the time I stumbled into an alternate world and started studying magic? Sadly, no.

There were things in my life that I deliberately borrowed for the novel. The way Aruendiel talks about other magicians—I was thinking of how my father, who was a painter, used to talk with his artist friends about other artists, about who was doing good work and who wasn’t. My dad was the kindest and most gentle person ever, but he was ruthless when it came to criticizing bad art. It’s the idea that you have a calling that you have to follow and you don’t sell out.

I gave Nora some of my interests—a penchant for memorizing bits of poetry, a love of cooking—although she’s much better at both things than I am. She’s also braver than me. You could never get me to go up a cliff like the one at Maarikok, even with a levitation spell! And I let her take a path that I considered but never took—going to grad school in English.

Q. Your heroine, Nora Fischer, is swept away by magic into a kind of too good to be true existence.  Even though a part of her knew it wasn’t right she stayed.  Why would she allow herself to be easily enchanted?

A. As Aruendiel himself would point out, Faitoren enchantments are very hard to fight, because they give you something you want. Nora was feeling bruised and defeated, and suddenly she had everything that she thought she was missing.

I also think the kind of idealized femininity that Ilissa offers Nora—being beautiful, being the belle of the ball, having this perfect romantic love—is a very seductive thing, even for someone like Nora who has read all the feminist theorists and has really chosen the life of the mind. Maybe especially for someone like Nora.

Q. You have so many literary references, John Donne, Miguel de Cervantes, William Carlos Williams, Alice in Wonderland and Grimm’s Fairytales, but it’s Jane Austen’s Pride & Prejudice that Nora ends up with as her only possession in the alternate world.  What is the significance of this particular book?  Any personal connection to it?

A. Well, Pride and Prejudice is so modern in many ways, although written and set in a premodern time. So it seemed like a good match for A Thinking Woman’s Guide, where a contemporary woman is thrown into a world where women are still second-class citizens, at best. And Pride and Prejudice reflects some of the themes that I was interested in—an intelligent woman engaging with a man who has both higher status and worse manners than she does—without being too closely parallel to the plot of my story. Finally, I love Pride and Prejudice! And so do many other readers. So I hoped it might resonate with those who read my novel.

Q. Words are a powerful tool and language is a very important status symbol in Nora’s new world. Women are uneducated and don’t speak to men the same way Nora does; something she is repeatedly frustrated by.  How did you develop Ors, the language Nora must learn in order to communicate?

A. Language reflects society, so as I thought about Aruendiel’s world, I tried to imagine what sort of linguistic rules it would have to help keep women in their place. And as anyone who has studied a foreign language knows, there are all kinds of subtleties that you don’t pick up right away. You can make blooper after blooper, sometimes for years. So Nora keeps bumping up against things like the feminine verb endings, which she never noticed until Aruendiel rather officiously points them out to her.

I was also inspired by how Tolkien, who was a philologist, essentially began imagining Middle-Earth by inventing various Elvish names. He wrote poems about these characters and, eventually, fiction. I thought, wow, what a powerful tool to create a believable fantasy universe, to develop some kind of logical linguistic framework that underlies your story.

Q. You’re a journalist by trade. What was it like, switching to fiction? Where do you write? Do you set hours or just put pen to paper when inspiration strikes?

A. It took me a while to feel comfortable writing fiction. It’s a different kind of narration. Suddenly, after years of having to be super-careful about collecting facts and double-checking them, I could make everything up. That felt wonderful! But what exactly do you include, what do you leave out? Beginning writers are always told, “Show, don’t tell.” Well, in fact there’s a lot you have to simply tell, or you’ll write twenty pages and your character will still be finishing breakfast.

The journalistic skill that I found most useful in writing fiction was simply the ability to sit in front of the computer and write. Even if you’re just trying to write, even if what you’re writing isn’t great at the moment or if all you have to show after three hours is three sentences. And then to do it again the next day. It doesn’t matter if you have to rewrite it all over again—because you’ll find something that’s worth keeping, or you’ll learn what not to do. The important thing is to keep going.

Usually I write at home on my laptop—sometimes on the train when I travel. I write best during the day. If I try to write at night, I’m usually too tired to get very far. Or occasionally I’ve had the opposite problem—I get really into it and then suddenly it’s way past my bedtime and I’m useless the next day. So starting out, I wrote for a couple of hours every weekend. Then it became every spare moment of every weekend. I still owe huge apologies to so many of my friends for turning down all their lovely invitations to go to museums, parties, movies, et cetera, over the past seven years.

Q. Who would be in your dream book club? Where would you meet and what would you talk about?

A. Henry James, Charlotte Brontë, Scott Fitzgerald, Mary McCarthy, Zadie Smith, and couple of my friends. We’d meet at Florian’s in the Piazza San Marco every third Tuesday in the month—this is a dream, right?—and talk about whatever I happen to be reading at the moment. I imagine it would be a lively group.

Q. Are you a fan of other fantasy novels?

A. Yes, although I certainly haven’t read everything that’s out there. I tend to like the denser, more literary kind of fantasy. Unlike Nora, I love Tolkien. Also Neil Gaiman, Susanna Clarke, Alice Hoffman, Margaret Atwood, Ursula LeGuin, and Kelly Link. Kate Atkinson is best known now for her Jackson Brodie mysteries, but I’m really glad that I didn’t read her Human Croquet until after I wrote The Thinking Woman’s Guide, because in some ways that’s the book I wanted to write.

Q. Your writing is loaded with references from history, literature, and fantasy. What sort of reader did you envision for this series?

A. I tried to write the kind of novel I would want to read, so I guess in that sense I wrote it for myself. And as the book took shape and it became clearer that I would actually finish a draft at some point, I decided I would send it first to one of my oldest friends to see if she thought it was any good.  She and I grew up watching Star Trek and Monty Python, reading Sherlock Holmes and The Black Stallion and Jane Eyre, and doing the ultimate in geekdom—taking Latin—so I trusted her judgment. She liked it, so that encouraged me to keep revising.
Beyond that, I was thinking that it might appeal to some of the adults who loved Harry Potter but who wanted more of a adult perspective and a strong female character at the center of the novel. 

Q. The Thinking Woman’s Guide To Real Magic ends on a cliffhanger. Can you hint at what’s next for Nora and Aruendiel?

A. I’m pretty sure that Nora will find her way back to Aruendiel’s world. The two of them really need to talk and to be straight with each other, don’t you agree? And of course she has a lot more to learn about magic—and how to use it properly.

 

If you would like to win a copy of The Thinking Woman’s Guide To Real Magic, just send an email to contest@gmail.com, with "Real Magic" as the subject. Make sure to include your name and mailing address in the US only. This contest is going to run for less than two weeks, so your odds of winning are pretty good - if you enter by August 19, 2013. Good luck!

Sunday, July 28, 2013

Guest Blogger: Ellie Campbell






UPDATE: Mark your calendar to get a free Amazon Kindle copy of  When Good Friends Go Bad, (USA only)  August 2-4th to celebrate National Friendship day.


Get the ebook of Looking for La La free today (7/28/13) only! 

In a recent survey 65% of mothers admitted feeling undervalued, over-criticised and constantly tired.

Cathy is no exception. Her dull, uneventful days as a stay at home, mother of two, are radically transformed however with the arrival of a heavily lipsticked postcard addressed to husband, Declan. Who is the mysterious La La? Could Declan really be having an affair? And is Cathy actually being stalked?

Whatever – it will definitely prove riveting gossip for the Tuesday Twice Monthlies, Cathy’s 'Mothers Restaurant Research’ group where scandal flows as recklessly as the wine. But what starts as a light-hearted investigation with best friend Raz, soon turns into something much more sinister.

With a possible murderer on the scene, a sexy admirer igniting long-forgotten sparks, and all her friends hiding secrets, it’s not only Cathy’s marriage that’s in jeopardy. Add in the scheming antics of Declan’s new assistant, the stress of organising the school Save The Toilet’s dance and the stage is set for a dangerous showdown and some very unsettling, possibly deadly, revelations.


10 Fun & Random Facts About Author Ellie Campbell (aka Pam Burks and sister Lorraine Campbell)

1) We are both mad about horses, although Lorraine has three and Pam has none, which is not fair (according to Pam). Lorraine doesn’t mind one bit.

2) Pam grows most of her own vegetables in her allotment. It is in a fab location right next to a lake and a park. She loves nothing more than escaping housework and family, calling up her friend who she shares it with and sitting with her at their picnic table putting the world to rights.

3) Lorraine once worked as a charter cook on a boat in Belize, sailing around the Caribbean. Not a bad job considering she is a hopeless cook.

4) Pam hates cheese and olives. Lorraine loves both.

5) Lorraine is pretending to write, but really she is going on an intensive training course to be a horse trainer.

6) Pam is pretending to write and scolding Lorraine for sneaking off, but really she is sunbathing in the garden and reading other people’s novels.

7) Lorraine once trained to be a healer – in Canada. She’s also done courses in Silva, Psych-K, massage, EFL, and had to bow 3,000 times to get certified as a Dahnhak yoga teacher.

8) Pam once took a ride on Lorraine’s new young apparently docile horse and got bucked off in spectacular fashion within about three seconds.

9) Both Pam and Lorraine got tossed by cows. Pam in some small village in India and Lorraine on the Isle of Skye, the highlands of Scotland.

10) Both Pam and Lorraine loathe talking about themselves. But they seem to do an awful lot of it these days.

BIO

Who is Ellie Campbell?

Actually ‘Ellie’ is two people – sisters and co-authors Pam Burks and Lorraine Campbell. We love all kinds of novels but particularly women’s fiction with a great story, recognizable characters and the ability to make us laugh one minute and perhaps cry the next. We still share the same sense of humor that got us into so much trouble as kids and so it has been fun writing books that allow us to enjoy the comic aspects of everyday life while still exploring some serious issues and indulging in our taste for romance, drama, and intrigue. If our imperfect heroines are often older than the average chick-lit character, and as likely to be bogged down with marriage, troublesome husbands and child-rearing as fretting over that perfect pair of designer shoes, we are still immensely proud to be considered part of the same genre that includes such talented writers as Marian Keyes and Jane Green.

http://chicklitsisters.com/

https://www.facebook.com/EllieCampbellbooks

Twitter: @ecampbellbooks


Excerpt


CHAPTER 1

Not a sound is heard as it lands silently on the mat. No drums rolls, crashing thunder, shafts of light. The walls don’t start crumbling, the ground doesn’t vibrate with terrifying tremors and a yawning fissure fails to zigzag across the kitchen floor and separate my husband from his breakfast marmalade.

In short, I’ve no clue as to the impact it’ll have on our lives. Mayhem. Marital breakdown. Murder. It should at least have been written in blood or come in the beak of a dark-winged raven.

It is a postcard. “Love from London” blazoned above a giant pair of pouting lips kissing a cherry-red heart.

At first sight it appears to be one of those “Please Come to Our Rave” flyers which get thrust through my door periodically. Now the chances of me, a world-weary, put-upon mother-of-two, going to a rave are slim to none, but heck it’s nice to be invited.

I turn it over.

Dearest, sweetest Declan – it begins. My eyes widen as I take in the blue spidery handwriting and race to the signature. ‘Love from La La.’

A tiny blip courses through me as I beetle down the hall attempting to identify the exact emotion I’m feeling.

Jealousy?

No.

Anger?

Nah.

It’s – I recognise it now – excitement. A blip of excitement forcing its merry way around my clogged up veins.

‘Postcard for you,’ I say nonchalantly, opening the door and stepping back into the kitchen, ‘from La La.’



I had a blip when I first spotted Declan at Bubbles, a dingy disco located east of the pier in downtown Bognor Regis. It was Sandra Mason’s leaving work party and I was nineteen years old. Sandra was tear-stained and puffy faced – partly from drink, partly emotion and partly because she always had a fairly puffy face. We’d given her a pretty good send off, bought her sexy underwear and filled an enormous padded card with witty farewells and humorous poems, all of them sounding a whole bunch better than my lowly “To Sandra, All best – Cath”.

The fifth yawn of the evening had just wormed its way out of my mouth corner, when I spied Declan dancing under a glassy mirror ball, had the blip and knew immediately we were destined to become involved. I wasn’t sure how. Perhaps he’d introduce me to a mate or better-looking brother. Not that he repelled me exactly, but spiky ginger hair had never been top of my “must haves” and the way he was swinging those hips in perfect rhythm with a blonde nymphet, well, they looked set for life. In and out they gyrated to Unchained Melody, his large hands caressing her tanned shoulder blades. I found out much later she was his long-term girlfriend, Lucy. Juicy Lucy, I labelled her. Not very original maybe but it inevitably served its purpose of getting right up Declan’s nose.

They made quite a couple. Lucy laughing, licking her glossy lips, and my future spouse leering lovingly at her, beads of sweat running down his freckled brow. I was entranced for a good few seconds before being beckoned back to earth by Sandra, who wanted an all-embracing photo of the girls from Credit Control. So, blocking out the blip, I pasted on a wide cheesy grin and darted across the room.



Declan?’

He sits motionless, his knife suspended in the Flora margarine, blue eyes gazing into the far distance, as he listens to a heated political debate on Radio 4.

‘Postcard, darling, from La La.’ I raise my voice, aware it’ll take a more urgent tone to break that level of concentration. Either that or blasting out the latest match score. Arsenal 0 – Manchester City 2. He reminds me at times of De Niro in Awakenings, forever trapped in a catatonic state. I often wonder if I throw a ball at him whether he’d whirl round in his chair and catch it in one swift movement.

‘What?’ He finally looks up, granary toast perilously close to his open mouth. ‘Not more bills, surely?’

‘La La,’ I repeat, handing the postcard to him.

‘Who the hell’s La La?’

‘Sounds like a telly tubby,’ I return to my half-eaten boiled egg, disguising my curiosity. ‘Not sure which colour though? Ask Josh and Sophie about it tonight.’

Our two children have been despatched to school by Henrietta, a fellow mum. A ruse we’d come up with so we could have “quality” time with our husbands on alternate mornings. Knowing Henrietta she’ll be using her time to bonk Neil senseless. Me – I just aimed for a halfway decent conversation and constantly missed.

He’s silently reading.

‘What does it say?’ I add a pinch of salt to the last millimetre of yolk. Declan hates that I add salt to food, wants it banned from the house, which makes it all the more decadent and delicious.

He fishes in the drawer for his wire-framed reading glasses, perches them on the end of his nose, in a way that hides his boyish face and makes him look nearer fifty than his “recently passed forty-two”.

He clears his throat. ‘‘Dearest, sweetest Declan, I long to have you in my arms again. Ever yours.” A tinge of colour slowly works its way up his cheeks. ‘And there’s a “Love from La La” at the bottom. Well, how about that?’ He starts pacing the floor, a puzzled frown etched on his forehead.

‘So who do you think sent it?’ I ask eagerly.

‘No idea.’ The postcard’s placed on the worktop. ‘Practical joke, I guess.’

Forlornly I tackle the stack of plates lying accusingly in the sink.

‘I seriously need a dishwasher,’ I mutter, squeezing a generous helping of Fairy liquid onto a brown, greasy stain. ‘Everyone’s got one, even Patience Preston.’

Patience, mate of my closest friend, Raz, lives on her own in an immaculate flat.

‘Hmm.’

‘All she uses her fridge for is to chill vodka. Not a scrap of food’s ever marred its spotlessness.’

‘Hmmm.’

Sometimes my conversations went totally one way.

‘She skips breakfast, buys herself wraps lunchtime and eats out each evening. And yet she owns a dishwasher. All I’ve got is an empty space waiting to be filled.’

‘Patience can probably afford a dishwasher,’ he says slowly. ‘Because she has a job.’

My hackles raise a notch. ‘Ah, but she doesn’t have children to chase after all day, does she?’

‘And nor do you. Now they’re both at school till four.’

Another few notches of hackles are raised. ‘Half three actually. And I have to leave ages before that to pick them up.’ Rather than tromp through a well-planted minefield I decide to divert. ‘Did you know Patience’s mum owns a microphone once licked by Tom Jones?’ Occasionally a little falsehood helped deflect the shrapnel.

It works, momentarily. ‘Why on earth does Tom Jones go around licking microphones?’

‘Dunno, maybe someone threw their knickers at it and knocked it into his mouth.’

He raises his eyebrow a fraction. ‘Anyhow a dishwasher’s not exactly a priority, is it? What with the roof space that needs lagging, windows needing replacing, boiler about to blow. Where the money’s coming from, I don’t know. My pockets aren’t…’

His diatribe’s thankfully interrupted by his ringing mobile. It’s in his hand faster than Wyatt Earp with a smoking gun.

‘Hi. Mm. Sure, sure. Sounds good. When? Ha, ha, ha. Have you asked Jessica-Ellen? Uh huh. Uh huh. Cathy? Nah she’s cool. ’Course. Eight p.m. it is.’

‘Eight p.m. it is,’ I echo under my breath as I scrub furiously at last night’s saucepan.

‘So,’ his voice is casual as he slips his phone into his pocket. ‘Wonder who sent it then?’

‘Maybe someone at work fancies you.’ My chortle halts abruptly when I turn and catch his expression. He’s not been in the mood for jokes lately, his sense of humour apparently absconding the morning of his fortieth birthday.

Besides he knows he’s attractive. I made the mistake of telling him he was voted “Body of the Year” by the Tuesday Twice-Monthlies – the Restaurant Research Group I attend each fortnight. Henrietta likens him to a ginger Nicholas Cage with his high cheekbones and well-defined eyebrows. Raz adores his muscley arms, “sex on elbows” she calls them. And everyone everywhere tells me how lucky I was in nabbing him. As if I was a total pleb who lured him with some secret charm they could never quite see in me. I want to rage at them all, ‘I was the one “nabbed” sisters. I was the one “bloody nabbed”.’ Of course being a coward, I never do.

He turns the card over. ‘If that were true, you’d think they’d pop it in my pigeonhole rather than send it to my home, wouldn’t you?’ He drops his cup into my washing up bowl. ‘Right, I’m off.’

I wipe my hands on my dressing gown as I follow him down the hall.

‘You couldn’t just take my watch to be repaired? On the bedside cabinet.’ He retrieves his umbrella from the pot by the door.

‘Sure, honey babe.’ I stand on tiptoes to tweak his tie.

‘Oh and my black boots need soles.’

‘Consider it done.’

‘And do get the kids to clear up those toys in the back garden.’ His face takes on a pained expression, strange love cards already dismissed. ‘Neighbours must wonder who they’re living next to.’

‘I’m on to it.’ I resist the urge to snap into a salute.

Pathetic, isn’t it? These seem to be our new roles in life. Declan barking orders, me acting the subservient housewife. Usually I’m not so wimpish but since Josh started school six months back, I realise I’m on extremely shaky ground even if it looks like the same old floor tiles. Casual mentions of spiralling debts, sharing the load or even carrying it for a change have been accumulating faster than Victoria Beckham’s Hermes handbag collection.

Too bad that as the bickering increases so does my morbid fear of rejoining the workforce. Once lodged comfortably at the back of my mind, like a suspicion of woodworm you’ll get around to dealing with later, it’s morphed to become a monstrous bugbear between us.

Rattle of keys. He’s already mentally in his office as he pecks me on the cheek. Smack of suit pocket to check for his wallet, quick comb of the hair to confirm it’s up to R A Wilson Inc standards, and he departs for work. I wave serenely on the doorstep before dashing back inside to put on Coral Duster’s Greatest Hits.

As Coral’s dulcet tones wash over me, I head for the phone.

‘Urgent sturgent! Urgent sturgent!’ I can’t disguise the thrill in my voice. Me with news? Something unexpected from the Cathy O’Farrell home front. I move aside Declan’s raincoat and Sophie’s puffa jacket, rub a hole in the dusty oval mirror and glance at my reflection. My eyes are so alive they’re practically dancing. The whites are whiter than I’ve seen for ages, the iris a more attractive shade of green and my pupils have almost doubled. Even my hair, though badly in need of brushing, seems to have a few extra auburn glints.

‘What’s up?’ Raz says excitedly.

I knew she’d be all ears. I don’t call her “Nose-ache Nora” for no reason. Her name’s really Rosa. Rosa Alison Zimmerman, but Raz was a pet name one of her ex’s gave her and it had kind of stuck.

We met in the toilet of Johnson & Phillips Surveyors, both escaping for a clandestine ciggy and to get away from the oppressive atmosphere of the miserable men with their clacking rulers. During our regular smoke-outs we found we had much in common, i.e. sneaking off for two-hour lunches and rating the hotness factor of every guy we ran into. That was fifteen long years ago. We’d lived together, loved and lost together. We know each other better than we know ourselves.

She listens quietly, as I spurt it out in a waterfall of words. ‘You think this postcard could be serious?’ she says finally.

‘Nah,’ I giggle. Even my lips have a bee-stung feel about them. ‘It’s just somebody winding him up.’

‘Sure about that?’ Her imagination virtually scales the same heights as mine, except she’s got minor sanity in her life – an office, desk, own direct line and, best of all, colleagues.

Colleagues. Thing I miss most about working. Especially male colleagues that I can banter with, groan at their silly jokes and amaze with clever solutions to their insurmountable problems. ‘By gad you’ve got it, Cath!’ They’d exclaim in awe. ‘We’ve been struggling with that one ages’ and I’d reply, ‘No worries, lads,’ and feel their admiring eyes on my bottom as they watched me leave.

Only that was before my bottom sagged to resemble Dumbo’s and my pre-children brain cells were sparkling crystals, free from today’s pea souper fog. Nowadays the only thing I could bring to the conference table would be the tea trolley.

Raz and I are both silent. I’m thinking about Declan and his endless meetings and oh-so-vital budget reports. Could he really sweep them all aside for unbridled, illicit sex? Raz, from the sound of things, is drawing on her first fag of the morning. I can almost smell the sweet aroma.

‘You’re obviously really really worried about it,’ she adds. ‘So...’

‘I’m not really really worried about it,’ I say, starting immediately to really really worry.

‘I’m on my way.’

The sound of creaking and clopping, platform shoes on wooden stairs, reverberates throughout the house.



CHAPTER 2



It had been my great good fortune that two months ago Raz found out Jerry, her live-in lover, was a secret druggie. She kept discovering rolled up balls of silver foil near the base of the toilet and could never understand where they came from. She rang me one night about it.

‘Silver foil…toilet base…hang on a sec. Look, now don’t take this badly but,’ I drew in a deep breath. ‘Do you remember when you were shacked up with Pete and I was stuck on my own in that grotty Kilburn bedsit?’

‘Uh-huh.’

‘And do you remember what I found…in the back of the oven?’

‘Yes. Oh God. God.’

‘Now listen, Raz, I want you to stay calm. Just think,’ I said the words slowly to emphasise the seriousness of the situation. ‘Have…you…checked…the tea-towels?’

‘I can’t!’ she shrieked. ‘I can’t have a bloody rat living in my oven!’

‘You bet you can.’ I mean why not her? Happened to me after all.

The tartan tea-towels had been the first thing I noticed. Ragged at the best of times, they were becoming holier by the day. Eventually one night I followed a scratching sound and there in the dark of the kitchen a small brown head popped up from under a hot plate. I looked again and he was gone but pulling back the oven moments later, there I found him – a ruddy great rat sitting wide-eyed and somewhat guilty in a tartan nest.

‘But surely silver foil isn’t that comfortable?’ Raz said bemused.

‘Might be for insulation. Rats are extremely intelligent. Now deep breaths. I’ll stay at the end of the phone. You go look.’

‘Right.’

She came back moments later.

‘It’s OK,’ she said relieved. ‘Tea-towels are all there, there’s no droppings and besides, we’ve one of those halogen hobs.’

Days later Raz discovered Jerry was heavily into the old Charlie – and I’m not talking Sheen – (but could be). It was enough for her to retreat back to her parents’ home. ‘Thank Christ I found out before we moved into the new flat,’ she’d confided as I joined her in a spot of retail therapy. ‘He’d have stayed forever, burning a hole in his nose and my pocket at the same time.’

‘True.’ I’d replied, peeling off yet another pair of Calvin Klein jeans I could barely manoeuvre into, let alone afford.

‘But on the other hand I don’t think I can stand staying with mum and dad until the renovation’s done,’ she continued, buttoning up an immaculately-fitting black Jaeger jacket. ‘I’m already getting jaw-ache from grinding my teeth at night. I’ll have to rent. Only all the landlords want a year’s bloody contract.’

‘Too bad,’ I’d sympathised, whilst inwardly formulating a cunning plan.

That evening I whisked her off to Café Rouge, got her tanked up and persuaded her to move into our loft extension. ‘Just until your builders finish.’

‘But you’re married now,’ she slurred, over her fourth glass of Frascati. ‘I don’t want to be a big fat gooseberry.’

I glanced at her across the table, chasing her crab cakes around her plate with a fish fork. Willowy and beautiful with her delicate bone structure and slim but shapely figure. No big fatty thing about her anywhere. Not like me. Two sizes too wide, two inches too short, orange peel thighs and a large layer of belly blubber.

No, Raz’s different. Everyone loves her with her famous zigzag parting, her shoulder-length stylishly-streaked blonde hair dropping down just a hint over her right eye. She has a certain sexiness in her gravelly voice, a confidence in her manner and a way with people that both intrigues and attracts them.

‘You won’t be. What’s more,’ I added encouragingly. ‘It’ll dilute Declan, help with the mortgage and,’ my eyes sparkled with anticipation, ‘we might have fun. Thirty quid per week.’ I quickly chinked my glass against hers to cement the deal.

After another carafe of wine, she agreed, with the proviso that she pay us eighty, wouldn’t be expected to baby-sit and I’d have to knock if I wanted to enter her private quarters. You always knew where you stood with Raz. ‘Oh and,’ she added, ‘we’ll need space for our own friends.’

‘Fine! Fine! Anything you say,’ I squealed with delight and just managed to refrain from running around the restaurant clicking my heels.

I’ve got to admit living with Raz and my family is a whole lot different to when it was just the two of us sharing years before in various short-term lets. Back then not only was I young, energetic and could party ‘til dawn, but I could nip to the pub at the crook of a finger, vomit down the loo all night long and nobody’d blink an eye. My commitments added up to a big round zero. But now, having gone down the baby route, I’ve turned into this safety-conscious, back-of-the-queue sort of a gal while Raz has remained in the live wild, live dangerously phase.

Not forgetting that the “job” thing also stands between us. While my career, ranging from lowly filing clerk to secretary to PA slithered into oblivion at the birth of my offspring, Raz became a big cheese in the advertising world. She blossomed whereas I withered away, happily sacrificing my not-yet-glorious working life to nurture our children.

Anyway, she keeps assuring me that her “room at the top” suits her perfectly for now, although recently I’ve noticed that her phone calls to the team of builders called Trev and Kev and such are sounding increasingly hysterical, overshadowing the screeches of squabbling children and day-to-day quarrelling between Declan and myself. Builders being what they are and the finish date past weeks ago. I suppose for an ad executive she’s slumming it, although she does have her own bathroom, toilet and bed under the eaves. A little nest where she gathers together countless people. I should know because I’ve tried counting them, watching enviously as they troop up, bottles in hand. Unusual hairdos, curious fashions. I’ve even managed to join them a few times, to supper or the occasional brunch, where we’ll read the Sunday rags, drink bucks fizz and gobble up grapefruit sprinkled with Demerara sugar. And I’ll borrow some of Raz’s clothes, lie back on a beanbag and feel for a tiny while young and Bohemian, forgetting about Declan downstairs with the kids.

She arrives in the kitchen, notebook in one hand, half-finished cigarette in the other. I show her the postcard then perch expectantly on a stool.

‘I see.’ She studies it carefully before pinning it to the fridge with a magnetic Marge Simpson. ‘Well, I’m not going in ‘til later.’ She flicks the ash into the sink. ‘So,’ she ejects my Coral Duster CD, plugs her iPod into Declan’s docking station, and turns it on, ‘let’s get down to facts.’

Pumping music fills the air and I grin. We’re on a mission. Just like the old days in our shared studio when we’d jump on the other’s bed and shout, ‘Let’s hit Camden’ or ‘Let’s do the Thames’ or ‘Let’s phone that bloke that never rang you and blow raspberries at him.’ Happy times before I became a domestic prisoner.

‘We’ll make a suspects list.’ She looks thoughtful as she taps into her Blackberry. ‘A. La La’s someone Declan works with having a giggle. Someone with a lousy sense of humour?’

‘Definitely. They’re all rather geeky.’

‘B.’ She closes her eyes a moment. ‘La La’s a man!’

The hairs on my neck suddenly stand erect. ‘Gay lover?’

‘Hardly! Business rival maybe. Someone with a grudge.’

‘Grudge? Well probably loads of people hate him. He’s got funny habits, like the way he looks in the opposite direction when you’re attempting a conversation.’ I drum my fingers on the table.

‘C. Declan’s had or is having an affair. She begged him to leave you, but he told her no. Miffed, she sent the card hoping you’ll kick him out.’ She taps away while adding. ‘Totally off the wall, but we have to consider every possibility.’

‘Unlikely,’ I say dismissively. ‘If he started an affair I’d suss him out right away. He’d be all strange and psychologically different. Mooning at the moon, sighing heavily, listening to Leonard Cohen.’

‘You mean like you did when you had that secret tryst behind pervy Paul’s back.’

‘Yeah, well, he deserved it with that foot fetish. Can you imagine how cringey it is having your toenails idolised?’

‘So Declan’s not been acting differently in any way?’

‘We-ell,’ I pause to think. ‘He has been coming home later from work…and he’s just recently bought piles of starry-designed underwear and expensive aftershave.’

‘Anything else?’

‘Em, silly really,’ I hesitate. ‘But there’s been a surge of brightly-coloured ties these last few weeks, not the sort he usually wears. Snake-like patterns.’

‘Aha.’

‘And he -’ I lower my voice. ‘God I’m embarrassed to say, but he’s been wanting me to get up to all sorts of bedroom tricks. Almost as if he’s got this teacher, showing him the ropes. But hey, I don’t think they’re signs, do you?’

‘Cath,’ she rolls her eyes, ‘will you be serious for once? I mean it’s clearly a nonsense prank, but whoever sent it is playing a totally stupid and possibly dangerous game. What if you were the morbidly possessive type? Remember that idiot in the news a few months back who stabbed his girlfriend because he believed the rumours she was a prostitute.’

‘I know, I know.’ But for some mad reason I’m loving the drama. Maybe I should be getting all neurotic and jealous at the possibility of my husband of ten years finding a lover – alarm bells ringing, cue eerie music as Camera One closes in on my wedding ring – but, hey, this is fun. Perhaps it’s only that I’m stuck in a rut and clueless how to change things, but for one wild moment I want to fling everything routine from the highest rooftop. And then peer down, see how they’ve landed and go from there. Is that so very wrong?

‘Apart from working longer hours than ever before, there’s zilch to report.’

‘I mean, an affair. Ridiculous. He’s crazy about you.’ Raz smiles sympathetically, but continues tapping, an intense look plastered on her face.

I give a weary sigh. Perhaps I’m looking at this the wrong way. Perhaps the opportunity of swapping my plain cotton-rich M&S midi knickers for a scanty pair of Agent Provocateur briefs has finally become too much for Declan. I can’t help feeling a tinge of sympathy. After all, he’d no idea when he married his coquettish flirtatious young girlfriend what sort of dreary wife she’d turn into. Although, to be fair to myself, neither did I.

‘And D,’ she stubs out her ciggy. ‘Could be like fatal attraction. Insane woman, gunning for you.’

‘Gee, now that makes me feel heaps better,’ I gulp.

‘Well, like I said, they’re all just possibilities,’ she presses a few more buttons and the screen goes blank. ‘Probably turn out to be A. Cox’s?’ She throws me over an apple and takes one herself.

‘You know, Raz,’ I bite into mine, ‘this reminds me of the last mission we undertook – the frozen shoulder conspiracy.’

‘The one where you discovered people suffering from spasmodic shoulders had been infected with a strange Spanish virus?’ She bites into hers.

‘Yup, but the UK doctors were keeping mum because they were getting backhanders from pharmaceutical companies.’

‘Cathy,’ she smiles at me indulgently. ‘That was a dream, remember?’

‘Yeah, I know,’ I admit grudgingly. ‘But it was a really realistic one.’

She stands up and checks her watch. ‘Woops. Better go. Can you just sort my jacket?’

I retrieve the lint roller from the kitchen drawer and carefully remove Custard’s dog hairs from her back. She looks exceptionally smart, with a crisp cream blouse underneath her cotton flared trouser suit that matches to the precise shade, her violet-blue eyes. All ready for a hard day’s work with Younger and Wilding, top London Advertising Agency. And there’s me standing behind her, unshowered, clad in grubby dressing gown with one pocket and three buttons missing, shoulder-length hair secured with one of Sophie’s discarded Barbie baubles.

At thirty-four, she’s only four years younger than me, but at this nano-second in time, I feel like her old granny – the one you can shove off a bus.

‘You home tonight?’ I call after her as she heads off down the front path.

‘Not until late,’ she shouts back. ‘Seeing Patience up town. But I’ll google La La as soon as I get to work, see if she’s got a track record. And Cathy, if you think of anything, anything at all, call me right away. We’re going to get to the bottom of this if it kills us.’

I smile as I close the door and step back inside the house. I might not get paid a salary, my children might be speeding towards adulthood so fast we’ll be paying for Sophie’s wedding before I’ve even got her baby photos sorted, but now I have a purpose, a quest. I’m looking for La La.





CHAPTER 3



I shower and change into jeans and a slightly stained black t-shirt before checking myself in the mirror. My fringe is reaching just below my eyes, so officially not a fringe anymore. Debate whether I should cut it dead short, longer but blunt across or grow it out altogether. Blunt across might make me appear like a schoolgirl. Dead short though could show up my worry lines.

Maybe I should go for a whole new sexy look. Woo back my errant husband if he’s “had or is having” an affair. Fight this La La at her own game. I imagine myself with platinum-blonde tresses piled high on my head, sexy velvet choker, push up Wonderbra and tons of make-up.

An hour later, shying my eyes from their big sign – Wanted: Part-Time Help – I’m trudging through Go-Buys, a sad supermarket situated on one of the main downhill streets of Crouch End. Sad because it’s too small to be a big modern superstore and too big to be a little cockney-sparrow, have-it-on-tick type corner shop. Overpriced and out-of-date produce abound alongside grizzly girls in grubby overalls. How on earth am I to conjure up a great delicacy out of this to satisfy my ever-hungry brood?

It was at a supermarket in Streatham almost four years after the Bubbles episode, that I next spied Declan. Declan Phase 2 I call it.



Raz was on a weekend break to Paris and Harry, my boyfriend of the time, was glued to a David Attenborough documentary and saying “Shoosh now” if I so much as made a comment. I decided some air was in order.

In Sainsbury’s I beckoned over a shop assistant.

‘Can you tell me where to find dry roasted peanuts, please?’ I asked politely.

Her jaw was hanging down, her heavy lidded eyes semi-open and greasy hair scragged back into a thick elastic band.

‘Aisle 4’. She started moving away.

‘Um and have you got any, er, skins?’ I tried deciphering the writing.

‘What you mean, skins?’ She lifted an Elastoplast from her left cheek and scratched underneath.

‘Here,’ I pointed to the line between dry roasted peanuts and taramasalata, ‘skins.’

‘Sausages in the corner. Chipolatas next to them, innit.’

I stood puzzled, when suddenly this husky Irish voice boomed out.

‘Ah now, I think you might want to ask for cigarette papers – you know, Rizlas.’

‘Oh.’ My brain clicked into gear. I looked up and there he was – Declan. ‘Oh,’ I repeated. ‘It’s you.’

He gave me a curious smile, because plainly he didn’t know me from Adam – he’d been too absorbed in tracing his fingers round his girlfriend’s bony blades.

‘Bubbles, Bognor Regis.’ My downcast eyes involuntarily strayed to the crotch of his faded jeans.

‘I went there on holiday once,’ he sounded puzzled, probably frantically assessing if I was someone he should remember.

‘How terrible!’

He stared at me a moment, bemused, and I had this uncanny impulse to bug my eyes and poke out my tongue like a Maori performing the Haka. Instead I added. ‘I lived there. Can’t imagine anyone paying to visit.’

‘My ex surprised me.’

‘Some surprise!’

‘Actually it was fun,’ he laughed. ‘So you wanted skins?’

‘Well whoever wrote the list did.’

‘So who wrote the list?’ He cocked his head to one side in a flirty manner.

‘Dunno. Found it in the trolley.’

‘You found a list?’

‘Saves thinking one up.’

‘But sure and isn’t the point of writing your own list so’s you buy what you need?’

‘And how monotonous is that?’ I began walking and he drifted alongside. ‘You end up with the same old, same old.’ I pulled a jar of pickled walnuts off the shelf. ‘Widens your diet.’

‘I see.’

‘Good.’ I had a vague feeling he was patronising me, but because I didn’t fancy him and was in a stable if lacklustre relationship, I wasn’t that fussed about this stranger’s opinion. Blip or no blip.

‘But what if you were after something in particular?’

‘You know, life’s for living.’ I turned my trolley around and walked off in the opposite direction. ‘Not list making.’

So that was Declan Phase 2.



I return home, palms criss-crossed with welts from the cheap carrier bags. Just enough time to shove in a load of laundry before leaving for the school pick up. Meandering dreamily down the road, I think again of the mystery postcard writer. Who, what and most of all, why, had this stranger entered our lives and is the fact I’m so joyous about it, a bad omen maritally-speaking?

Approaching the gates, I can see all the other mothers gathering up their children, wiping noses, carrying schoolbags. I give them each a sympathetic smile. I bet their husbands don’t have admirers writing to them.

***

I’m shivering in the park with the other parents, watching our children dangle by their feet, fling themselves off swings and launch their little bodies recklessly headfirst down the slide in valiant attempts to break the current Whittington Hospital casualty record. And no, none of the adults know anyone called La La or so they said when I cunningly suggested it as a trendy new name to the mother who’s five months pregnant.

My euphoric mood has long gone, doused by an ill-advised glance at the local paper’s classified job postings. It’s OK for Declan, I think, slapping my arms against the cold. Forcing me into the workplace again, like a leaky old barge hastily patched up and launched into the harsh unforgiving Atlantic, engines rusted from years of domestic drudgery. Well, so sorry, dear hubbie if your poor old HMS SuperworkingMum isn’t immediately made flagship. Does he honestly expect me to compete with all those shiny new liners, filled with high tech, optimism and trailing champagne bottles? And I bet none of them has my huge load of ballast.

I’m feeling pretty sorry for myself, probably because I’m bored rigid. My feet lost their last hint of sensation about the time my hands started to feel they might fall off and every time I say firmly we’re definitely leaving, Josh and Sophie wail, not yet, mummy, just five more minutes, mummy. Just another fun relaxing Cathy puts-her-feet-up quality moment in Declan’s book.

The mother next to me is moaning about her husband who sounds a right old dictator – insisting supper’s steaming on the table when he walks in from work, complaining because she takes one measly hour out a week for choir practice.

‘That’s the problem with being a stay-at-home mum.’ Another disgruntled woman clambers aboard the whinge train. ‘The loss of power. Seesaw’s always unbalanced in favour of the wage earner. When everyone knows office staff spend half their time skiving off, net surfing or gossiping about who they fancy this week.’

‘My trick is to fold laundry as soon as Henry’s headlights appear in the driveway,’ says a fellow downtrodden wife pushing her toddler on the swing with an alarming amount of force. ‘I swear I don’t stop from six in the morning until nine at night, but unless he actually sees me physically doing something, he doesn’t believe it.’

‘Chips,’ pipes up another mother, skipping the roundabout with her foot, while her four-year-old hangs onto the pole in the middle, legs flying behind. ‘Nothing puts “himself” in a happier frame of mind than the smell of frying chips.’

I sigh as I collar Sophie on the climbing frame and go for a final grab on Josh. Subservience, tricks, and cupboard love. And this is supposed to be a liberated society?

Discontent’s catching. Makes me wonder again who might be behind these postcards. And, if they really are after my husband, whether I should start investing in a sizeable amount of giftwrap…



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