Literature Nobel goes to Austrian who is novelist, playwright, poet STOCKHOLM (AP) — Austrian writer Elfriede Jelinek, a reclusive author whose feminism, leftist politics and pacifism are common themes in her works, won the Nobel Prize in literature Thursday for what the Swedish Academy called her "musical flow of voices and counter-voices in novels and plays."
Her most famous novel, The Piano Teacher in 1983, was adapted into a 2001 film by director Michael Haneke, although her other works are well-known in German-speaking countries and she is widely translated in French.
Jelinek, 57, told The Associated Press in Vienna she would not attend the ceremony in Stockholm because she suffers from "a social phobia."
"When I write, I have always tried to be on the side of the weak. The side of the powerful is not literature's side," she said.
The decision to award the prize to a woman, and a poet, was the first since 1996, when Wislawa Szymborska of Poland won. Since the prize first was handed out in 1901, only 10 women have won it.
"They assured me that I received the prize because they value my work, not because I am a woman," Jelinek said, calling the Nobel "the biggest honor."
Although happy about the prize, she said "I can't stand" the attention that comes with it. With her phone and doorbell constantly ringing, Jelinek said her plans for the coming days were simply "to disappear."
Jelinek made her literary debut with the collection Lisas Schatten in 1967. Her writing took a critical turn after her involvement with the student movements prevalent throughout Europe in the 1970s, coming out with her satirical novel We Are Decoys, Baby!
That was followed by other works, including Wonderful, Wonderful Times in 1990.
The Piano Teacher tells the story of Erika, a demanding piano teacher who embarks on an affair with a younger music student.
It's a theme redolent in most of her works, which are known for jolting readers with their frank descriptions of sexuality, pathos and conflict between men and women.
Jelinek had a best seller in 1989 with Lust, which she has described as portraying "the violence by the man against the woman" in a conventional marriage.
Jelinek's recent work has been politically charged.
Her latest play, Bambiland, written in 2003 and translated into English in 2004, is a strident attack on the U.S. war in Iraq, although Horace Engdahl, secretary-general of the academy, emphasized that the prize should not be interpreted as a political comment.
"When that play came out, this decision was — if not already made — then well under way," he said.
He said Bambiland depicts how "the patriotic enthusiasm turns into insanity." And, he added, "she's completely right about that."
In recent years, her plays have received an icy reception in Austria, where productions have been marred by booing, shouting matches and patrons walking out.
She was shunned by some Austrian political leaders, partly because of her vehement opposition to the rise of the rightist Freedom Party led by Joerg Haider, which became part of the ruling coalition in 2000 on a platform criticized as anti-Semitic and anti-foreigner.
In 2000, she instructed her publishers to withhold the performance rights of her plays from all Austrian theaters as long as Haider's party was part of the government.
But Communist Party chairman Walter Baier hailed Jelinek as "a feminist and one of the most important voices of the 'other Austria,'" and he praised her "unabashed and public attacks" on the Freedom Party.
Among her fans is Andreas Kohl, the president of Austria's parliament, who said he was "pleased for her and for Austria."
In her phantasmagorical novel Die Kinder der Toten, she depicted Austria as a realm of death.
Engdahl said many of her works also focus on the entertainment industry, both in Europe and America, which she "believes affects people in a way that makes them susceptible to the economic elite." Using parody and satire, Jelinek tries to tear down the industry's facade, he said.
"Her writing builds on a lengthy Austrian tradition of linguistically sophisticated social criticism, with precursors such as Johann Nepomuk Nestroy, Karl Kraus, Odon von Horv Dath, Elias Canetti, Thomas Bernhard and the Wiener Group," the academy said in its citation.
"The nature of Jelinek's texts is often hard to define. They shift between prose and poetry, incantation and hymn, they contain theatrical scenes and filmic sequences."
Her recent works are variations on one of her basic feminist themes: the seeming inability of women to find themselves fully and live out their lives in a world where they are glossed over as stereotypes.
The 18 lifetime members of the 218-year-old Swedish Academy, of whom only four are women, made the annual selection in secrecy last week.
Alfred Nobel, the Swedish industrialist and inventor of dynamite who endowed the awards, left only vague guidance about the prize, saying in his will that it should recognize those who "shall have conferred the greatest benefit on mankind" and "who shall have produced in the field of literature the most outstanding work in an ideal direction."
For Jelinek, the Nobel could open doors to markets and sales. The prize also brings a financial security net, too: A check of more than $1.3 million.
The academy has given the award to Europeans nine times in the last 10 years.
Since 1980, only three winners have come from Africa, four from South America, two from the United States and one from Asia. It's been 14 years since someone from the Middle East — Egyptian Naguib Mahfouz — was given the nod.
Last year's award went to South African writer J.M. Coetzee, whose fiction drew on his experiences growing up there. In 2002, the prize went to Hungarian writer Imre Kertesz, whose fiction drew on his experience as a teenager in the Auschwitz concentration camp.
The winner of the coveted peace prize — the only one not awarded in Sweden — will be announced Friday in Oslo, Norway.
The prizes, which also include a gold medal and a diploma, are presented on Dec. 10, the anniversary of Nobel's death in 1896.
USATODAY.com - Literature Nobel goes to Austrian who is novelist, playwright, poet
--------------------
$40,000 library mural misspells names--------------------
The Associated Press
October 7, 2004
LIVERMORE, Calif. -- It didn't take a nuclear physicist to realize
changes were needed after a $40,000 ceramic mural was unveiled outside the
city's new library and everyone could see the misspelled names of
Einstein, Shakespeare, Vincent Van Gogh, Michelangelo and seven other
historical figures.
"Our library director is very frustrated that she has this lovely new
library and it has all these misspellings in front," said city
councilwoman Lorraine Dietrich, one of three council members who voted Monday to
authorize paying another $6,000, plus expenses, to fly the artist up
from Miami to fix the errors.
Reached at her Miami studio Wednesday by The Associated Press, Maria
Alquilar said she was willing to fix the brightly colored 16-foot-wide
circular work, but offered no apologizes for the 11 misspellings among
the 175 names.
"The importance of this work is that it is supposed to unite people,"
Alquilar said. "They are denigrating my work and the purpose of this
work."
Alquilar said it took her quite a bit of her own time and money to
create and install the work, and that it sat idle at her Santa Cruz studio
for two years until the city cleared the way for its installation.
There were plenty of people around during the installation who could
and should have seen the missing and misplaced letters, she said.
"Even though I was on my hands and knees laying the installation out, I
didn't see it," she said.
The mistakes wouldn't even register with a true artisan, Alquilar said.
"The people that are into humanities, and are into Blake's concept of
enlightenment, they are not looking at the words," she said. "In their
mind the words register correctly."
* __
On the Net:
http://www.maria-alquilar.com/
Copyright (c) 2004, The Associated Press
Remembering John D. MacDonald and Travis McGee By Oline H. Cogdill
Mystery Columnist
September 28, 2004
It's only a brass plaque, a little more than a foot long. But as Florida's literary landmarks go, the plate marking the fictional Slip F-18 at the Bahia Mar marina in Fort Lauderdale ranks up there with Marjorie Kinnan Rawlings' house in Cross Creek and the Zora Neale Hurston museum in Eatonville.
That the Rawlings and Hurston sites commemorate real people and Slip F-18 honors the fictional "salvage consultant" Travis McGee, the hero of 21 novels by author John D. MacDonald, doesn't take away from its value.
Slip F-18, where McGee parked his houseboat The Busted Flush, was named Florida's first Literary Landmark by the Friends of Libraries in 1987. On Saturday, the plaque, removed during renovation at Bahia Mar, will be rededicated beginning at 10:30 a.m.
Although it's been 40 years since MacDonald introduced his hero, the novels still are considered a touchstone of the genre. The Harvard-educated MacDonald wasn't the first to use a Florida setting in mysteries. But he was a pioneer in weaving in themes of the environment, uncontrolled development and social issues -- topics still explored by the ever-growing cadre of Florida mystery writers.
MacDonald and Travis McGee came to crime fiction when hard-boiled novels sorely needed rejuvenation. By 1964, Dashiell Hammett and Raymond Chandler had died. With a few exceptions, the genre had degenerated into parodies of itself with misogynistic writers such as Mickey Spillane or Ian Fleming wannabes.
Les Standiford, author of the Miami-based John Deal novels, began reading MacDonald while in college, "drawn by his captivating story lines, which always seemed to transcend the typical and the mundane among crime writing."
Besides the unusual plots, the combination of the unique character and the Florida setting makes these novels timeless. Unlike most detectives at the time, McGee didn't have an office but lived aboard The Busted Flush, a 52-foot houseboat that he won in a card game. He liked to say that he was taking his retirement on the installment plan, recovering missing or stolen items for half their value, working when he wanted.
"In Travis, [MacDonald] created a character who is part blue-collar philosopher, part man of action, part romantic hero and part self-critical modern man struggling with the gender wars and a world that is too much with us," said James W. Hall, author of the award-winning Thorn series and a past recipient of the John D. MacDonald Award for Excellence in Florida Mystery Fiction. "All that helped shaped my own idea of what a good hero is."
Florida state of mind
MacDonald also capitalized on an exotic setting. Today, the regional mystery, set in myriad landscapes from small towns to major cities across the world, is the norm. But during the first part of the 20th century, the settings for mystery fiction were generally limited to New York City, Los Angeles, San Francisco and a couple of English villages. The only exception was Florida.
But MacDonald didn't just use Florida as a backdrop for his crime fiction, he immersed his novels in the state's qualities. McGee did more than walk the beach or trawl the waterways; he attacked uncontrolled development, fought greedy land grabbers and targeted a growing drug trade. The character was so linked to the Sunshine State that when McGee made the occasional sojourn to Chicago or another city it seemed as if he still had sand in his shoes.
"I always admired MacDonald's sense of place, feeling like I knew South Florida even though I was reading about it in Philadelphia," said Jonathon King, Edgar Award-winning author of the Max Freeman mysteries.
"The values that distinguish John D. MacDonald's work -- a strong sense of story, the emotional involvement of his hero, and what MacD called `a bit of unobtrusive poetry' -- are the same things that I strive for every day when I sit down to write," said Kristy Montee, who writes as P.J. Parrish, author of the Louis Kincaid novels.
In the early 1960s, Florida "exerted a mighty pull upon the consciousness of the nation as a far-flung and exotic playground full of promise," added Standiford, director of the creative writing program at Florida International University.
MacDonald also saw how the state's promise could be corrupted, and brought a social conscience to his novels.
McGee "was Robin Hood in flip-flops out to save Sherwood Forest from developers," said Christine Kling, whose latest novel is Cross Current.
"He was railing against the destruction of the Everglades and the paving of wetlands before most Floridians knew what he was talking about," said Paul Levine, the second winner of the John D. MacDonald Award (the first was Elmore Leonard) and now a screenwriter. "Here's a proposed law: Require every new Floridian to read [him]."
Indeed, MacDonald gave such an environmental thrust to his novels that he often stopped the action. Fans seldom cared.
"The plots mattered less to me than Travis' rants," said Kling. "I love the voice MacDonald created and I could listen to Travis McGee decrying the overdevelopment of South Florida, the modern world's dependence on credit cards or young women's beliefs that beauty was their salvation forever. McGee spoke to the part in all of us that would love to escape to the islands, to slow life down, to find the real value in human beings."
A voracious reader
Travis McGee made John Dann MacDonald a household name, but the author had already published more than 40 novels before he created his famous boat bum. Before he died in 1986, MacDonald had about 70 books and more than 500 short stories published.
MacDonald was born on July 24, 1916, in Pennsylvania to a homemaker and an alcoholic father who became a top executive at a firearms company. MacDonald became a voracious reader at age 12 when he was bedridden for a year with a bout of mastoiditis and scarlet fever. "I entertained myself by exercise of imagination," he wrote, according to Hugh Merrill's biography The Red Hot Typewriter.
A good student, MacDonald eventually earned his master's degree in business from Harvard, though he had always wanted to be a writer. "I worshipped writers but knew I could never be one," he said, according to Merrill.
After a series of failed jobs including stints as an insurance salesman and a repo man, MacDonald joined the Army in 1940. By this time, he was married and a father. Although stationed in India in the Office of Strategic Services -- which later became the Central Intelligence Agency -- MacDonald was no spy. He was deskbound, depressed, often ill; the work was "mindless." He began to write short stories, which would not be censored as were letters. To surprise him, his wife began sending these stories off to magazines. Many were rejected but Interlude in India sold to the well-respected Story Magazine for $25. He didn't find out he was a published writer until he was discharged.
After his discharge, MacDonald began writing furiously, receiving by his estimate a thousand rejections. But a few stories sold, especially to pulp magazines, the 20th century's version of the dime novel. MacDonald's scores of mystery, sports, science fiction and western short stories appeared in almost every pulp magazine between 1947 and 1952. He was so prolific that he often used pseudonyms.
Then came Fawcett Gold Medal Books, which wanted to dominate the original paperback novel market. MacDonald became one of the publisher's stable of new writers. His first novel, The Brass Cupcake, was published in 1950 and would set a trend for MacDonald's work. This tale of an insurance investigator is set in Florida, where the MacDonalds had lived since 1949, and is full of digressions about the state and society. His first breakthrough novel was 1958's The Executioners, which has been filmed twice as Cape Fear. He had written more than 40 novels when his publisher asked him to create a series character.
Colorful titles
In 1962, he began working on McGee, whom he once described as "the anti-hero, tough and tender, with many chinks in the armor."
McGee's first name was originally Dallas, which the author changed after Kennedy was assassinated. He chose Travis after an Air Force base in California. MacDonald lived in Sarasota, where he often wrote columns for the local newspaper, but placed his character in Fort Lauderdale because he thought the character might become popular. "I certainly did not want my privacy compromised by having him live over here," MacDonald is quoted in Merrill's biography.
Travis McGee's debut The Deep Blue Good-By was followed by three other novels, all published in 1964. Each McGee novel has a color in the title, though MacDonald never used "white" or "black." While MacDonald wrote other novels, nonfiction and even comedy skits, he continued the series the rest of his life. The last McGee novel, The Lonely Silver Rain, was published in 1984, two years before MacDonald's death at age 70. There have often been rumors that an unpublished MacDonald manuscript with the word "black" in the title exists, but the author's estate has always denied this.
The McGee novels, which were filmed twice and were the inspiration for a line of McGee shirts launched in 1969, have never been out of print and continue to be steady sellers.
"MacDonald is not just a Florida classic, he is truly an American classic," said Joanne Sinchuk, owner of Murder on the Beach Mystery Bookstore in Delray Beach. Sinchuk nominated The Deep Blue Good-By for the 100 Favorite Mysteries of the Century, edited by Jim Huang.
MacDonald continues to speak to mystery fans, but he has a special niche for Florida readers and writers.
Author Carl Hiaasen wrote about his affection for the character for an introduction to the novels' reprints during the 1990s.
"Quite possibly the old houseboat is tied there still; McGee on deck, tending a few fresh bruises, sipping his Boodles, and watching the summer sun slide from the sky over Las Olas Boulevard. Anyway, that's what I want to believe. If he's really gone, I prefer not to know."
Oline Cogdill can be reached at ocogdill@sun-sentinel.com.
Copyright © 2004, South Florida Sun-Sentinel
Remembering John D. MacDonald and Travis McGee By Oline H. Cogdill
Mystery Columnist
September 28, 2004
It's only a brass plaque, a little more than a foot long. But as Florida's literary landmarks go, the plate marking the fictional Slip F-18 at the Bahia Mar marina in Fort Lauderdale ranks up there with Marjorie Kinnan Rawlings' house in Cross Creek and the Zora Neale Hurston museum in Eatonville.
That the Rawlings and Hurston sites commemorate real people and Slip F-18 honors the fictional "salvage consultant" Travis McGee, the hero of 21 novels by author John D. MacDonald, doesn't take away from its value.
Slip F-18, where McGee parked his houseboat The Busted Flush, was named Florida's first Literary Landmark by the Friends of Libraries in 1987. On Saturday, the plaque, removed during renovation at Bahia Mar, will be rededicated beginning at 10:30 a.m.
Although it's been 40 years since MacDonald introduced his hero, the novels still are considered a touchstone of the genre. The Harvard-educated MacDonald wasn't the first to use a Florida setting in mysteries. But he was a pioneer in weaving in themes of the environment, uncontrolled development and social issues -- topics still explored by the ever-growing cadre of Florida mystery writers.
MacDonald and Travis McGee came to crime fiction when hard-boiled novels sorely needed rejuvenation. By 1964, Dashiell Hammett and Raymond Chandler had died. With a few exceptions, the genre had degenerated into parodies of itself with misogynistic writers such as Mickey Spillane or Ian Fleming wannabes.
Les Standiford, author of the Miami-based John Deal novels, began reading MacDonald while in college, "drawn by his captivating story lines, which always seemed to transcend the typical and the mundane among crime writing."
Besides the unusual plots, the combination of the unique character and the Florida setting makes these novels timeless. Unlike most detectives at the time, McGee didn't have an office but lived aboard The Busted Flush, a 52-foot houseboat that he won in a card game. He liked to say that he was taking his retirement on the installment plan, recovering missing or stolen items for half their value, working when he wanted.
"In Travis, [MacDonald] created a character who is part blue-collar philosopher, part man of action, part romantic hero and part self-critical modern man struggling with the gender wars and a world that is too much with us," said James W. Hall, author of the award-winning Thorn series and a past recipient of the John D. MacDonald Award for Excellence in Florida Mystery Fiction. "All that helped shaped my own idea of what a good hero is."
Florida state of mind
MacDonald also capitalized on an exotic setting. Today, the regional mystery, set in myriad landscapes from small towns to major cities across the world, is the norm. But during the first part of the 20th century, the settings for mystery fiction were generally limited to New York City, Los Angeles, San Francisco and a couple of English villages. The only exception was Florida.
But MacDonald didn't just use Florida as a backdrop for his crime fiction, he immersed his novels in the state's qualities. McGee did more than walk the beach or trawl the waterways; he attacked uncontrolled development, fought greedy land grabbers and targeted a growing drug trade. The character was so linked to the Sunshine State that when McGee made the occasional sojourn to Chicago or another city it seemed as if he still had sand in his shoes.
"I always admired MacDonald's sense of place, feeling like I knew South Florida even though I was reading about it in Philadelphia," said Jonathon King, Edgar Award-winning author of the Max Freeman mysteries.
"The values that distinguish John D. MacDonald's work -- a strong sense of story, the emotional involvement of his hero, and what MacD called `a bit of unobtrusive poetry' -- are the same things that I strive for every day when I sit down to write," said Kristy Montee, who writes as P.J. Parrish, author of the Louis Kincaid novels.
In the early 1960s, Florida "exerted a mighty pull upon the consciousness of the nation as a far-flung and exotic playground full of promise," added Standiford, director of the creative writing program at Florida International University.
MacDonald also saw how the state's promise could be corrupted, and brought a social conscience to his novels.
McGee "was Robin Hood in flip-flops out to save Sherwood Forest from developers," said Christine Kling, whose latest novel is Cross Current.
"He was railing against the destruction of the Everglades and the paving of wetlands before most Floridians knew what he was talking about," said Paul Levine, the second winner of the John D. MacDonald Award (the first was Elmore Leonard) and now a screenwriter. "Here's a proposed law: Require every new Floridian to read [him]."
Indeed, MacDonald gave such an environmental thrust to his novels that he often stopped the action. Fans seldom cared.
"The plots mattered less to me than Travis' rants," said Kling. "I love the voice MacDonald created and I could listen to Travis McGee decrying the overdevelopment of South Florida, the modern world's dependence on credit cards or young women's beliefs that beauty was their salvation forever. McGee spoke to the part in all of us that would love to escape to the islands, to slow life down, to find the real value in human beings."
A voracious reader
Travis McGee made John Dann MacDonald a household name, but the author had already published more than 40 novels before he created his famous boat bum. Before he died in 1986, MacDonald had about 70 books and more than 500 short stories published.
MacDonald was born on July 24, 1916, in Pennsylvania to a homemaker and an alcoholic father who became a top executive at a firearms company. MacDonald became a voracious reader at age 12 when he was bedridden for a year with a bout of mastoiditis and scarlet fever. "I entertained myself by exercise of imagination," he wrote, according to Hugh Merrill's biography The Red Hot Typewriter.
A good student, MacDonald eventually earned his master's degree in business from Harvard, though he had always wanted to be a writer. "I worshipped writers but knew I could never be one," he said, according to Merrill.
After a series of failed jobs including stints as an insurance salesman and a repo man, MacDonald joined the Army in 1940. By this time, he was married and a father. Although stationed in India in the Office of Strategic Services -- which later became the Central Intelligence Agency -- MacDonald was no spy. He was deskbound, depressed, often ill; the work was "mindless." He began to write short stories, which would not be censored as were letters. To surprise him, his wife began sending these stories off to magazines. Many were rejected but Interlude in India sold to the well-respected Story Magazine for $25. He didn't find out he was a published writer until he was discharged.
After his discharge, MacDonald began writing furiously, receiving by his estimate a thousand rejections. But a few stories sold, especially to pulp magazines, the 20th century's version of the dime novel. MacDonald's scores of mystery, sports, science fiction and western short stories appeared in almost every pulp magazine between 1947 and 1952. He was so prolific that he often used pseudonyms.
Then came Fawcett Gold Medal Books, which wanted to dominate the original paperback novel market. MacDonald became one of the publisher's stable of new writers. His first novel, The Brass Cupcake, was published in 1950 and would set a trend for MacDonald's work. This tale of an insurance investigator is set in Florida, where the MacDonalds had lived since 1949, and is full of digressions about the state and society. His first breakthrough novel was 1958's The Executioners, which has been filmed twice as Cape Fear. He had written more than 40 novels when his publisher asked him to create a series character.
Colorful titles
In 1962, he began working on McGee, whom he once described as "the anti-hero, tough and tender, with many chinks in the armor."
McGee's first name was originally Dallas, which the author changed after Kennedy was assassinated. He chose Travis after an Air Force base in California. MacDonald lived in Sarasota, where he often wrote columns for the local newspaper, but placed his character in Fort Lauderdale because he thought the character might become popular. "I certainly did not want my privacy compromised by having him live over here," MacDonald is quoted in Merrill's biography.
Travis McGee's debut The Deep Blue Good-By was followed by three other novels, all published in 1964. Each McGee novel has a color in the title, though MacDonald never used "white" or "black." While MacDonald wrote other novels, nonfiction and even comedy skits, he continued the series the rest of his life. The last McGee novel, The Lonely Silver Rain, was published in 1984, two years before MacDonald's death at age 70. There have often been rumors that an unpublished MacDonald manuscript with the word "black" in the title exists, but the author's estate has always denied this.
The McGee novels, which were filmed twice and were the inspiration for a line of McGee shirts launched in 1969, have never been out of print and continue to be steady sellers.
"MacDonald is not just a Florida classic, he is truly an American classic," said Joanne Sinchuk, owner of Murder on the Beach Mystery Bookstore in Delray Beach. Sinchuk nominated The Deep Blue Good-By for the 100 Favorite Mysteries of the Century, edited by Jim Huang.
MacDonald continues to speak to mystery fans, but he has a special niche for Florida readers and writers.
Author Carl Hiaasen wrote about his affection for the character for an introduction to the novels' reprints during the 1990s.
"Quite possibly the old houseboat is tied there still; McGee on deck, tending a few fresh bruises, sipping his Boodles, and watching the summer sun slide from the sky over Las Olas Boulevard. Anyway, that's what I want to believe. If he's really gone, I prefer not to know."
Oline Cogdill can be reached at ocogdill@sun-sentinel.com.
Copyright © 2004, South Florida Sun-Sentinel
Remembering John D. MacDonald and Travis McGee: South Florida Sun-Sentinel
