On Books: Why some failBy Scott Eyman
Palm Beach Post Books Editor
Sunday, April 30, 2006
I thought I'd share a hilarious story that ran in the London Guardian. Basically, a reporter went around asking various publishers about books they published last year that for one reason or other lay down and died.
A common reason was a lack of reviews, for publishing is a review-driven business.
Frankly, some of the books struck me as extreme long shots under any circumstances. One, titled London Born, was dictated by an author who was illiterate. "We had great hopes for this," said the publisher, "but sold only 1,200 copies. I don't know why it didn't work."
Then there was the publisher of Profile books, who bewailed the demise of Rich Cohen's The Record Men, about Chess Records. "It did nothing, selling just under 2,000 copies."
Why?
"We did a crap job."
Finally, a publisher who tells the truth.
Natasha and Pierre...
Say this for Tolstoy: He had confidence in his powers.
Viking's new translation of War and Peace by Anthony Briggs seems to get to the considerably elaborated point a little faster than previous translations — I've only made it all the way through the Rosemary Edmonds translation, which dates from the 1950s. Viking has packaged the book in attractive hard covers, and included some scholarly apparati in the back of the book: a note from the translator, notes on the battles dramatized in the book, an afterword by Orlando Figes and some textual notes, as well.
There is also a listing of summaries of the chapters that reads like something Woody Allen might have written for The New Yorker. Volume III, Chapter 16: "Natasha's illness. The absurd and expensive ministrations of doctors.
"Chapter 17. Natasha and Pierre. She takes communion. A slight improvement."
Quote Unquote...
"What obsesses a writer starting out on a lifetime's work is the panic-stricken search for a voice of his own."
— John Mortimer
On Books: Why some fail
The endangered joy of serendipityThe modern world makes it harder to discover what you didn't know you were looking for
WILLIAM MCKEEN, SPECIAL TO THE TIMES
Published March 26, 2006
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There's an art to finding something when you're not looking for it.
In my freshman class at the University of Florida, I require the 240 students to subscribe to the New York Times Monday through Friday. I haven't even finished announcing this in class the first day, when the hands shoot up. "Can't we just read it online?" they ask, the duh? implicit.
"No," I say and the eyes roll. They think I'm some mossback who hasn't embraced new media.
"Why not?" Challenging, surly, chips on the shoulders.
"Because then you would only find what you're looking for." Appropriately weird, elliptical, professor-like response.
I'm just doing my job: being baffling and obtuse, trying to make people think. By the end of the semester, I hope they get it. An online "front page" offers maybe a half-dozen stories and teasers for a few more - all in all, a poor substitute for the splendor of a good daily newspaper. Readers need someone to sift through the news and decide what's significant enough to go on the front page. That's how editors earn their big bucks. But it's the other stories, the secret stash in the business section, the sports section or on the obituary page, that stop you and make you read.
Nuance gives life its richness and value and context. If I tell the students to read the business news and they try to plug into it online, they wouldn't enjoy the discovery of turning the page and being surprised. They didn't know they would be interested in the corporate culture of Southwest Airlines, for example. They just happened across that article. As a result, they learned something - through serendipity.
Serendipity is a historian's best friend and the biggest part of the rush that is the daily magic of discovery. It's one of those small things that make life worth living, despite all the torment, pain, tragedy and stifling Interstate traffic.
Serendipity is defined as the ability to make fortunate discoveries accidentally. There's so much of modern life that makes it preferable to the vaunted good old days - better hygiene products and power steering leap to mind - but in these disposable days of now and the future, the concept of serendipity is endangered.
Think about the library. Do people browse anymore? We have become such a directed people. We can target what we want, thanks to the Internet. Put a couple of key words into a search engine and you find - with an irritating hit or miss here and there - exactly what you're looking for. It's efficient, but dull. You miss the time-consuming but enriching act of looking through shelves, of pulling down a book because the title interests you, or the binding. Inside, the book might be a loser, a waste of the effort and calories it took to remove it from its place and then return. Or it might be a dark chest of wonders, a life-changing first step into another world, something to lead your life down a path you didn't know was there. Same thing goes with bookstores. We can shop online so easily, but there's still the shipping thing for those of us who are impatient, and so a lot of bookstore traffic is made up of those who can't wait for UPS. Or heck - maybe it's the coffee. Those modern book supermarkets bring coffee and pastries into the equation, something Amazon.com hasn't quite figured out how to duplicate, though I suspect they're working on it.
It's all about time. So many inventions save us time - whether it's looking for information, shopping for clothes try www.llbean.com) or checking what's on television. Time is saved, but quality is lost. When you know what you want - or think you do - you lose the adventure of discovery, of finding something for yourself.
In another context, Thomas Paine once wrote: "The harder the conquest, the more glorious the triumph. 'Tis dearness only that gives everything its value." Too true, Tom. You may have been talking about the struggle for basic human rights and maybe I'm talking about sorting through the bargain table for boxer shorts that don't ride up and instead finding socks with Stratocasters embroidered on the ankle, but we are on the same philosophical page. Looking for something and being surprised by what you find - even if it's not what you set out looking for - is one of life's great pleasures, and so far no software exists that can duplicate that experience.
Technology undercuts serendipity. It makes it possible to direct our energies all in the name of saving time. Ironically, though, it seems that we are losing time - the meaningful time we once used to indulge ourselves in the related pleasures of search and discovery. We're efficient, but empty.
Except for matters of life and death - and shopping at Wal-Mart - there's an emptiness in finding something quickly. (We all want to minimize time in Wal-Mart, don't we? Life is too short to spend too many of its precious moments in that particular hell.)
Serendipity has enriched my life intellectually and emotionally. It's even stepped in and surprised me, giving my career new trajectories. Years ago, when I was a part-time Ph.D. student, writing a historical dissertation on campus riots after the Kent State shootings, I was focusing on a particular antiwar demonstration at the University of Oklahoma. Interviewing my sources nearly 20 years after, I found some of their recollections sharp and others uncertain. I was talking this over with a couple of friends when our conversation was interrupted by a rarely seen colleague who happened to drop into the lounge at that moment. "Say," he said. "Excuse me for interrupting, but that riot you're talking about - did anyone tell you that I filmed it?"
And indeed he had, as a young photojournalist. He gave me a copy of his film, and it confirmed those memories and gave me a sense of the scope of the event. (Modern historians are a lucky tribe. What if Edward Gibbon had a home video of Caesar's assassination when he was writing The Decline and Fall of the Roman Empire? Maybe it wouldn't have taken him 12 years to finish the damn thing.)
Serendipity has continued to play a part in my work. A few years back, I got a publisher's contract for a book, Highway 61, to be based on a long road trip I planned to make along the famous highway that runs from from the Canadian border to the French Quarter. I kept meaning to spend the months before the trip doing research, getting prepared, efficiently setting up interviews with people along the road. But life intervened. I was busy with work and falling in love. So when my grown son and I hit the road with no plan at all, I was terrified. What if nothing happened? What would I write about? We took our free-fall trip, following the path of the Mississippi River, and serendipity intervened. People walked up and introduced themselves, as if part of a cast of lunatics required in the telling of a good road story. And the plot also presented itself, quite by accident: a long-distance divorced father helping his son bid goodbye to childhood. We were both a little startled by the moments of truth we shared in the front seat.
We made another discovery on that trip. The world of music - a world so important to both of us - suffers from a lack of serendipity. My son is a member of the download generation, which finds its music online. I grew up in a world dominated by that great and subversive force of the 20th century: radio. Fifty years ago, when we were just beginning to cast off the elements of American apartheid, it was relatively easy for our society to enforce racial barriers - separate schools, separate stores, separate neighborhoods. But the music that traveled in the air, via radio waves, did not observe Jim Crow boundaries. White kids, alone in their rooms, tuned their radios at night and heard the music of black America. Black kids found The Grand Ole Opry and learned for themselves about that old, weird America.
The result in my childhood was a serendipitous exposure to music that no amount of downloading can duplicate. As a kid, I'd turn on the radio and hear Frank Sinatra, followed by James Brown, followed by the Beatles, followed by the Supremes - and lots of other people. Music could astonish me. But now, with downloading, it has lost that ability. We miss the element of the chance encounter with musical genius. We have to be told of such genius or hear about it second-hand. One effect is that it's balkanized the audience. We don't have the sense of community. My older children, in their 20s, envy my generation. "We'll never get to fall in love to the great music you had," my oldest daughter once told me.
It's an odd paradox. The audience today is larger and the choices are enormous - and yet more turns out to be less. We have hundreds of choices on television, but will we ever feel the moment of global community we felt staring at that box, watching a man named Armstrong walk upon the moon? Or will we ever, en masse, have a moment like that time the world met the Beatles on The Ed Sullivan Show? Will the world ever shed so many tears as we did watching the funeral of President Kennedy? We had three choices then and have 300 now. Likewise, in music: We are so formatted now that stations stratify the market, making it unlikely you will ever hear music you do not expect to hear.
The modern world is conspiring against serendipity. But we cannot blame technology. I've met this enemy, and it is us. We forget: We invented this stuff. We must lead technology, not allow technology to lead us. The world is a better and more cost-effective place because of technology, but we've lost the imperfections inherent in humanity - the things that make life a messy and majestic catastrophe.
We must allow ourselves to be surprised. We must relearn how to be human, to start again as we did as children - learning through awkward and bungling discovery. Otherwise, when it's all over and we face the Distinguished Thing, we will have led extremely efficient but monstrously dull lives.
Some years back, Tom Wolfe came to my university and I hosted him for a week. I don't drop his name merely for effect (though it's only two syllables and shouldn't hurt much). It's just that I'll never forget something he told me. On the last night of his visit, we found ourselves alone together at dinner, talking about our children. Though he's 20 years older than me, we were at the same stage: ushering our children into adulthood. I told him that I didn't really understand the profound depth of love until I became a father. And he said that he had married late (at 50) and had children soon after. He said, "And I think, "My God, I could have missed this.' They opened up a door in my heart that I didn't even know was there."
And I realize that serendipity has also been lost in matters of the heart. Now, we plug a list of characteristics into a Web page in search of our True Love. We no longer allow for the chance encounter at the bookstore (we're shopping online, remember?) or sitting next to someone new in church or simply looking into someone else's eyes and feeling the eureka of discovery. We check off the qualities of this idealized other half, as if ordering from a Chinese menu. Matchmaking Web sites have replaced human conversation. (I tried the online thing once, and all I got in return was a stalker. She even wore camouflage.)
Not long after that conversation with Tom Wolfe, a door opened in my heart. I was living my dull, directed and orderly divorced-guy life and one day looked up and was struck by the thunderhammer of love. I wasn't looking for her, but I found her. I had long since given up on the concept of remarriage. Yet, five years later, I am remarried and I am again waist-deep in the adventure of fatherhood. I now have a messy, aggravating and utterly inefficient life - and every day is a bouquet of surprises. I wake each morning, put on my socks and shoes, and face a new day of wonder and discovery. Why deny or refuse such a gift? If I had been looking for it, I would not have found it. It was serendipity, that ability to make fortunate discoveries accidentally, that opened that door in my heart.
And to think: I could have missed this.
William McKeen is chairman of the University of Florida department of journalism.
Yes, I have a lot of books. No, you can't borrow oneWIT'S END
ROBERT MCNEIL
WHO read all the books? Not, I hope, the same person who ate all the pies. Unlike pies, books are meant to be good for you but I think mine are killing me. Well, that's an exaggeration. They're just giving me the occasional duffing up.
Can't blame them really. They've been neglected. I love them still, but have nowhere to put them and don't spend enough time with them any more.
Most of my late teens, twenties and thirties were spent reading and writing. Now, I'm lucky if I get three pages read in bed last thing at night when I drop off after a huge dram and a vanilla slice (crumbs from which will often irritate me in the night).
I have tried, recently, to make more of an effort. "Make time for reading" was once an excellent slogan put out by Edinburgh's libraries. I don't watch much television, beyond football and repeats of Are You Being Served?, and I rarely go on the internet, which strikes me as a paradise for cranks, bullies and perverts. Even so, I still don't like it.
It's not that I've a limited attention span but ... I've forgotten what I was just going to say. No: it's not that I've a limited attention span - didn't I just say that? - it's that I buy too many books. I want to have them all, except perhaps Oprah Winfrey's Guide to the Cosmos.
I love Edinburgh's second-hand bookshops, and will happily browse in them until told to leave. I always feel obliged to buy something, too, being one of those sad sorts who believe that, once you've crossed a shop's portal, you're contractually obliged to purchase something. How I regret the day I inadvertently blundered into Leather and Lace (though that codpiece did eventually make an excellent cloot).
But I will also visit Waterstone's, endlessly being conned into buying three for the price of two: "I'll have Tolstoy's Anna Karenina, please. And The Trial by Franz Kafka. And, er, The Viz Book of Humungous Hooters." And, on the few occasions I wander on to the internet now, I shop like billy-oh at Amazon, not to mention Abebooks (first-class second-hand site).
I just can't resist buying books. I go out for trousers, I come back with books. I go out for a wardrobe, I come back with books. I go out for books, I come back with a hatstand. You know how it is.
And so the books pile up. The desk in front of me, as I write, groans with higgledy-piggledy piles of reference books and dictionaries. At least I don't have to read these from start to finish. Indeed, I rarely see any book through to the end in one go, without starting half a dozen others in the meantime. It is the restless mind, the questing head, the imperial imagination. One thinks: "There must be something out there that will mean something, cheer me up or make everything seem clear." But, as you get older, you realise this ain't going to happen. Tolkien comes closest, but everybody reads him in their teens, and it's all downhill thereafter. Eventually, you just read for diversion or occasional strokes of beauty.
I've bookmarks in around 250 books. The main ones I'm flirting with at the moment are Saint's Getaway by Leslie Charteris (wonderfully arch writer), Traditions of Trinity and Leith by Joyce M Wallace, Overcoming Social Anxiety and Shyness, The Miss Marple Omnibus, Nature Cure by Richard Mabey, and Rubicon by Tom Holland. I've also lined up Sebastian Faulks's Birdsong, Manda Scott's Boudica and Allan Guthrie's Two-Way Split; oh, and I've just started my regular re-reading of The Hobbit.
The last books I finished were Boris Johnson's Seventy-Two Virgins and, before that, Who Will Comfort Toffle?, a Moomin picture book by Tove Jansson.
Surprisingly, one of these books is contemporary. Generally, it takes years for a book to settle and mature before I'll buy it, and I never believe these end-of-year newspaper features where famous people lie about all the recently published books they've allegedly just read.
I should get rid of some more books (I did offload some obscure ones recently), but it goes against the grain. I don't even loan them out, as people never return them. The refusal may offend, but these books have my name in them and a little shorthand note of where I bought them. Sometimes, if they were a real find in a second-hand shop, the whole day comes back to me. How dare borrowers take that away from me and ruin my entire life!
I've lugged my books in scores of boxes through a dozen different flittings. I'm not giving up on them now. Not for all the hatstands in the world.
Scotsman.com Living - Books - Yes, I have a lot of books. No, you can't borrow one
